Aron McFaul is a Swedish DJ/producer currently repped by West Coast Recordings. With only one 4-track EP to his name, McFaul is a relative unknown in the sea of electronic/EDM. With fairness given to him as a new artist in a field that is tough to break through, there is clearly more work and change needed before McFaul makes a decent impression. His album Pallas Garden is uninspired and redundant to a fault, with glimmers of a solid musical ear shinning through every once in a while. If there was more work to comb through I might be able to put together a better first impression, but with only four tracks to base him on, McFaul comes up lacking.
In first and second tracks on the album (Intronational, Jam in Circles), I discovered to be entirely placeholders for the other songs. Granted, McFaul’s music may sound completely larger and magnificent through headphones (which I was not using at the moment) due to his style of layering many, many small teeny bleeps, bloops, and chrips.
Take for instance From Love, his most popular song so far with just under 9K listens on his SoundCloud, it essentially gathers all the different kinds of sounds you can use to notify yourself of a new text message on your iPhone, and mashes them together into a semi-cohesive ensemble. While absolutely creative, it’s just not my thing. Which may in part be due to the difference in nationalities; across the pond, the brand of music affectionately titled Eurotrash is wildly popular throughout. For the uninitiated, Eurotrash is more or less EDM, high BPM dance beats traditionally played in the discotheques with flashing lights and ecstasy. McFaul’s version is much more low key with less of a party atmosphere, but still borrows some of the same concepts: repetitive beats that loop and crescendo until they climax, and slowly decrescendo back into nothingness.
The final track, Taverna Times, was my favorite on the project. It features a guitar and drum-n-bass beat, the most melodic sounding song on the entire project. That being said, the song is still relatively sleepy, most akin to what you would listen to if you’re Ubering home from the club in the morning and still want to quietly rage.
Overall, I see tons of potential in Aron McFaul, I will be keenly looking to what he does next.