Music Related News

Music Related News

Feminist America Won’t Let Planned Parenthood Go Without a Fight
April 19, 2017 12:10 pm

At 21, I walked a childhood friend into Planned Parenthood when she feared she might be pregnant. With our shaky hands intertwined—hers seeking support and mine offering it—we walked inside, straight into the place we knew would have the answers should her fears be confirmed.

On April 13, President Donald Trump approved a bill giving states the legal right to withhold funding for Planned Parenthoods clinics should they choose. For men and women in more conservative territories, their means of receiving a free and reduced price yearly physicals, pap smears, mammograms, condoms abortion services have been taken away.  In the name of “religious freedom”, their access to affordable reproductive healthcare is gone.

Planned Parenthood de-funding

It’s a move many of Americans who didn’t vote for Trump in 2016’s election feared would become a reality. While every Republican isn’t anti-pro-choice, the President has proven himself to be staunchly anti-pro-choice. As well as also being an advocate for “family values”—which, by action and not words, means homophobic, transphobic, and against feminism—and one who has displayed sexist, classist, and rape culture-sympathetic behavior, Trump at the helm of the country’s operations spells danger for women.

President Trump’s witch hunt against Planned Parenthood and feminist adjacent aides to female healthcare, despite what his cabinet insists isn’t true, is, in fact, a war on women. When he proposed keeping the organization’s funding in place as long as they got rid of abortion services, it was the latest battle waged in this war. Taking services and entire organizations that directly assist women’s healthcare and cut them because they don’t fit the narrative of “family values” is why advocates are rising up.

Musical artists from Best Coast to Katy Perry, actors like American Ferrera and Scarlett Johansson, and political figures like former Secretary of State Hillary Clinton and Senator Elizabeth Warren (D-MA) are among the most vocal advocates for the continued funding of Planned Parenthood clinics in the U.S. They know the importance of having condoms, breast exams, STD and STI tests and treatments, and yes, abortion services, available to those who need them.

Because personal judgments shouldn’t interfere with the health of your fellow man and woman.

So what can we as a people do now that the war is on?

We can donate to Planned Parenthood. You can sign petitions and advocate with groups like the American Civil Liberties Union and the Human Rights Campaign. You can volunteer at your local Planned Parenthood clinic or attend an appointment there. You can use the hashtag #WeWontGoBack to spread the organization’s message on social media, and/or speak with family and friends (this guide is handy all year round!) about the benefits of Planned Parenthood and the current government’s involvement.

Even though my childhood friend wasn’t pregnant all those years ago, she knew that Planned Parenthood had her back if push came to shove. She knew that the state of her health was important to them. President Trump can’t take away what the American people put up a fight to protect. Planned Parenthood is a savior for so many, and we’re not backing down to save it.

Check out our playlist that is filled with badass songs about empowering women and giving us the right to choose what we do with our bodies.

Artists Fight For The National Endowment for the Arts
April 17, 2017 4:24 pm

President Donald Trump is not the most popular person in the U.S., which is funny considering how he won the presidency.

Nevertheless, he is the president, and the president gets to make a budget to float to Congress. Just last month, Trump floated a budget that would completely cut funding to the Corporation For Public Broadcasting, the National Endowment for the Humanities and the National Endowment for the Arts, a notion that hasn’t been spoken about since LBJ. The NEA budget is $150 million, which factors out to every American being charged $0.46 as a result. It’s a small piece of the overall big picture and would kill art projects across the country.

Many of these cuts would have direct impacts on various TV and radio mainstays like PBS and NPR, in addition to the many shows that have loyal fan bases across America, like the beloved “Sesame Street”.

There have been multiple musicians and artists that have been vocal about their distaste for funding cuts; like us, they would love to see the annual budget increase, not decrease. We would like to showcase these musicians and artists and stand toe-to-toe with them in the fight against cutting any funding for these great programs that have driven art projects across America.

We ask the question “What is more American than the freedom to show the world how you feel about being American?” At ATYPICAL SOUNDS, we say fuck that shit, and so do many others in the arts community.

NEA PROTESTORS

David Byrne

Byrne is the charismatic frontman of the Rock & Roll Hall of Fame-inducted band Talking Heads. He is a powerful voice in the music community and has also extended his influence well into other sectors of the arts. Byrne has been one of the most vocal against the cuts, attending a rally at New York’s City Hall in protest. Byrne also penned a wonderful essay entitled “What Good Are the Arts?” on his website adding that killing the economy in the arts sector is “completely stupid”. He continues “It’s probably the best investment the government makes—as far as a means of generating jobs, growth and social good […]”.

David Bryne protesting for the NEA

Wynton Marsalis

Wynton Marsalis is a Grammy Award and Pulitzer Prize-winning musician and composer. He is also the co-artistic director of Jazz at Lincoln Center. Marsalis recently took to “CBS This Morning” to speak out against the funding. Marsalis said that the proposed cuts to arts education and funding are “preparing the public to become more ignorant”. Marsalis expanded on this, stating: “When we tell people our arts are not important, we’re preparing our public to be more ignorant so that we can exploit them more.”

Wynton Marsalis speaks out against NEA defunding

Robert Redford

Redford, an Oscar-winning director and Oscar-nominated actor, cited the NEA as playing a fundamental role in the creation of the Sundance Institute. The NEA has made significant contributions to the Institute, including the grant to help launch its first labs for independent filmmaking. He also credited the NEA with launching the Sundance Film Festival, which has, in turn, become a mainstay for launching the careers of a variety of filmmakers across the world. In an open letter posted on the Sundance Institute’s website, found here, Redford passionately writes about the funding cuts occurring at the wrong time and how “more than dollars, the NEA represents a civilization that values critical and creative thought.”

The St. Louis Symphony

The St. Louis Symphony is a hallmark of the Midwest. Founded in 1880, it is the second-oldest symphony orchestra in the United States. The symphony asked their board members to call their elected officials and let them know why cutting funding was important. Chief Executive of the symphony, Marie-Helene Bernard, joined other symphonies across the country, including the Metropolitan Opera, to voice opposition to the cuts. Bernard also urged its board members to contact members of their elected officials to oppose addition cuts under the Trump administration.

Julie Andrews

Listen, when Julie Andrews speaks, you fucking listen. Andrews recently co-authored an article on CNN with her daughter Emma Walton with regards to children’s participation in the arts. The screen and stage legend speaks to how arts budget cuts are a “huge mistake and enrich kids lives through community and culture sharing.” They highlight the importance of the arts by drawing on history, stating that “decades worth of research attests to the fact that the arts are among the most profoundly important and valuable ways to improve learning and promote success, from early childhood through adulthood.” The two then invite readers to view the positive statistics in a linked study published by the NEA, showing the long-term academic achievements for children involved in the arts. Their article can be read in its entirety here.

Julie Andrews speaks out against N

JAPANESE WALLPAPER EMERGES FROM ITS COCOON
October 27, 2016 9:28 am

When I was 17 years old, I was doing what most other 17 year old teenagers do; playing sports, doing homework, driving a car for fun, I was even playing guitar a lot by most standards. But I was creating nothing like Gab Strum did in his seventeenth year.

He started the electronic pop project Japanese Wallpaper and released his first single “Waves” back in 2014. Even at this early stage in his career, the sounds he created were nearly on the same level as ambient titans Tycho and Boards of Canada. The ethereal, jovial tunes started drawing attention from some pretty well-known folks in the industry such as fellow Australian, Chet Faker. Also in Gab’s seventeenth year, he won Triple J’s Unearthed High competition. Oh, and his track “Breathe In” was also featured on the soundtrack for Zach Braff’’s follow-up to Garden State, Wish I Was Here. Seventeen! I think this goes to show how the state of modern music equipment has altered the music scene. If a high school kid fifty years ago wanted to make music with more than a guitar, he would find it incredibly difficult to do so. The tools to do so weren’t easily available yet. Now we can download software on our laptops and create magic.

Gab did his first tour of Australia back in 2014 with great success. He has since been putting out EP’s with some fantastic remixes in the last couple years. Most recently this year he released the single “Cocoon.” Earlier this year, he released a deluxe edition of his self-titled EP that came out in 2015 with a slew of new remixes. The remix of Between Friends” by Sable is a noteworthy track from the record. The single “Forces” featuring Airling is a smash. I think it’s safe to say that Japanese Wallpaper has a promising future ahead of him. He has a few tour dates left in 2016 if you happen to live in a major Australian city. I imagine he’ll make his leap over to the states soon enough and I for one will be right there in the crowd grooving along to these incredible tunes.

SAY YES! AN ELLIOTT SMITH TRIBUTE
October 25, 2016 9:49 am

It’s been thirteen long years since Elliott Smith took his own life on October 21st,e 2003. He battled demons a majority of his short life and his music brought so many people the harsh reality of that struggle into the words we could tangibly use to forget our own aches for a few moments, or for an entire album. In my opinion he is one of the most underrated geniuses in modern music.

A group of other musicians apparently felt the same way when they decided to get together and create a tribute album for Smith titled Say Yes! as released by American Laundromat Records. It features bands such as Yuck, Waxatachee and artists like J. Mascis and Julien Baker. A wide array of sludgy rock to intensely acoustic indie artists. I think my favorite from the album is the Yuck version of “Bled White, which is also an all time favorite Elliott song of mine.

I’ve personally covered one Smith song during a live performance “The Biggest Lie”. While I enjoyed singing my heart out, Elliott’s songs are a force to be reckoned with. A tantrum of eloquence and equally as dark currents raging inside of a drowning man. It’s nearly impossible to recreate the feelings Smith captured in his music.

Honestly, I was pretty giddy at first and while I wholeheartedly appreciate these artists showing their influence by Smith, it was almost a little hard to hear the songs without Elliott. The fact that 13 years after I find him, he is no longer putting out new material is a heart wrenching realization for me. There just isn’t a way for other artists to recreate something so personal, and the despair he felt daily triggered the wild agony in his songs. These things made them what they are, and it is a travesty to deny that.

However, these songs are a tribute and we can not look into them as if Elliott is there, but more so that he was inspiration to them.

Songs you can find on this album include but are not limited to, “Waltz #2 done by J. Mascis, “Easy way out” done by Wild Sun, and “Division Day done by Lou Barlow. Yuck’s upbeat version of “Bled White” got me pretty pumped up for the album as the first song I heard with its punchy drums and rock version of a song always adored. In J. Mascis’ version of Waltz #2, he seemingly chose specific parts of the song to use, and it’s very eerily pasted together with slow vocals and droning guitar and drums, at first I wasn’t even sure it was the same song.

We may have lost a very valuable and pivotal force in indie, acoustic and rock and roll music thirteen years ago, but his music transcends time and is not fleeting by any means of the word. Elliott had an unwavering ability to create classic music that would punch you in the gut every time you listen. There is no simplicity, paper thin vocals, shuttering harmonies, both clean and distorted guitar riffs in all the right places, so much Beatles influence you’ll be humming “The Two of Us” or “Helter Skelter” without even knowing why after checking out Figure 8 or From a Basement on a Hill.

Take a listen to this new tribute album, and if you haven’t yet listen to Elliott’s albums front to back in memory of 13 years without him in the physical realm, go and do that too. He’s always here in the musical realm, hats off to you Elliott Smith.

 

THE BLACK PARADE IS BACK IN A NEW WAY
October 19, 2016 11:23 am

“When I was a young boy, my father took me to the city, to see a marching band…”

This line of lyric is so universally known by the rock world that no one can hear this song and not feel some strong attachment to it. My Chemical Romance‘s immersive album The Black Parade was part epic, part tragedy filled with soaring highs and wallowing lows. Rock Sound magazine is celebrating the 10th anniversary of this legendary album with the story of the creation and life of The Black Parade and an incredible amount of content.

9390352-368-k802450A decade is a long time, in 2006, the Playstation 3 and Nintendo Wii came out, Casino Royal and Cars debuted, Justin Timberlake was bringing “Sexyback, Shakira’s hips didn’t lie and Daniel Powter was still having his bad days. This was a year of strong movement in pop culture and punk rock was being redefined. My Chemical Romance way making one of the biggest movements because of their raw style of music, fashion and tone in their genre defining The Black Parade.

Rock Sound’s October edition is an essential for any punk, emo, rock or ska fan. There is a beautifully told story of MCR’s creative process of The Black Parade and its life and impact it had on the band. It is filled with a lot of funny small stories and interesting insights on why the band took a break and how they dealt with all of these changes.

However, the part of this edition that seems more interesting and gripping is the cover album that accompanies the issue. Rock Sound gathered a grand collection of artists deep in the indie rock world to cover each song on The Black Parade giving each track new life while saluting them with praise and honor at the same time. From Escape the Fate‘s similar and powerful rendition of “Dead!” to Twenty One Pilot‘s heart breaking performance of Cancer and Against the Current‘s different take on Teenagers, this album brings new life to The Black Parade while reminding you how truly amazing this album was and still is.

I would recommend anyone and everyone who is a fan of MCR, The Black Parade, punk, rock, indie, ska, heavy metal or good music in general to pick up this epic issue of Rock Sound with the additional tribute album. MCR is also celebrating this 10th anniversary with a special deluxe edition that any fan NEEDS to get, you can’t miss this. The Black Parade is amazing in both forms and may their music and memory carry on.

TWIN ATLANTIC TAKES EUROPE
October 17, 2016 9:00 am

Twin Atlantic seem to be celebrating the release of their album GLA by tearing Europe to shreds. After a summer spent playing festivals including Glastonbury, Reading and Leeds, and T in the Park, the band is taking the show on the road with dates in Belgium, the Netherlands, Germany, and a whole ton of other places.

ATYPICAL SOUNDS exchanged some transatlantic emails with drummer Craig Kneale and got the scoop on the creation of GLA, and the finer points of living in Glasgow.

I was in Glasgow over the summer, and did a number of things that are probably considered “touristy”. What do you think visitors to Glasgow generally miss?
Glasgow has a thriving arts scene, and I suppose you would miss that if you didn’t dig a little deeper below the surface. The four compass points of the city (East/West/South/North) are all so different from each other too – you won’t get the full picture unless you experience a little bit of each of them.

King Tut’s is a pretty well-known music venue in Glasgow. What others do you like for seeing live music?
Well, not being biased – but Barrowlands is one of the greatest venues in the world. I’ve never seen a bad show there – there’s something in that room that creates an electric atmosphere between the performer and the crowd that’s really special.

You’ve performed at a number of music festivals, as well as some smaller venues. Do you prefer one over the other?
I think you can’t really appreciate one without the other. I suppose that our own shows are always more special to us – but it’s great getting to spend the summer playing festivals when the pressure is off a little. When it’s your own show and people have paid to see you, there’s more at stake as you don’t want to let people down.

Are there any bands/musicians in Glasgow you feel deserve more attention?
I’m a little out of the loop on music in Glasgow at the moment, but I really like Holy Esque. I think they’re already on their way up, but even the biggest bands in the world could do with more attention I guess.

GLA, your new album, has a much heavier sound than your previous releases. Did something make you want to create a less pop-sounding album?
It kind of naturally happened when the album was being written. Perhaps subconsciously the songs turn out heavier as there were moments on the last album where we weren’t all fully attached to the songs. GLA seemed to be much easier to record than the previous album – so perhaps it’s a more natural sound for us.

What music are you listening to currently?
I’m currently listening to a lot of Parquet Courts + Mac DeMarco. And I got the new Local Natives album this week which I really like.

You recorded GLA in Los Angeles, which is obviously very different from Glasgow. Is there anything you miss from your time there that you can’t do at home?
Well, the sun is out constantly so you don’t have to plan to do things dependent on weather like you do in Glasgow. Being able to drive to a beach and look at the ocean is something I don’t think I would get bored of either.

What advice would you give a band who are just entering the music business?
Just throw everything at it and always go with your instinct.

Is there anything you were surprised by when Twin Atlantic was first starting out?
Hmmm, not really. Everything at the start of this band was a learning curve for the 4 of us so we kind of tackled everything together. We started right at the very bottom so we were kind of prepared for most steps by the time we got to them.

Are you planning any shows in New York?
I really hope so. It’s one of our favorite cities, and one we’d love to come to more. I think there are plans to get over early next year, so hopefully it all works out.

MELO-X KNOWS WHAT IT TAKES TO CATCH BEYONCE’S ATTENTION
October 7, 2016 12:58 pm

MeLo-X  is traveling at warp speed. Pedal to the metal. The Brooklyn-based multimedia artist has a boundless artistic vision that rejects the conventional division lines between sight and sound.

Although best known for his collaborations with Beyoncé—the free-spirited rapper and hip-hop producer has also directed and scored films, designed art installations that they have at the MoMA and Guggenheim, is a trending fashion tastemaker and an advocate for staying grounded and true to your roots.

It would be difficult to find an artist in Brooklyn with a more varied palette than MeLo-X, and that’s saying a lot.

Yoncé-X

The self-proclaimed Renaissance man—born Sean Rhoden—got his first big break in 2014 following the release of Beyoncé’s self-titled surprise album. MeLo-X released an unauthorized collection of remixes titled Yoncé-X EP  which when picked up speed and went viral, eventually catching the attention of Queen B herself.

And there’s no one more powerful, more influential in the music biz than Beyoncé.

Pop artists are often treated as gods living among mortals—transcending human existence and amassing devout worship. If ever there was a pop artist that fits—if not demands this treatment from her fans—it would be Beyoncé Knowles.

Lemonade

So when MeLo-X was asked to co-direct the accompanying film scores to Beyoncé and Jay Z’s On the Run Tour, he jumped at the opportunity and didn’t look back.

Soon he was flying out to LA to help Beyoncé co-write and co-produce tracks “Hold Up” and “Sorry” off her 2016 album Lemonade.

Keep in mind, producing a Beyoncé album isn’t a typical of the industry. Rather, to visualize the scale of such a project, it’s easier to liken the undertaking to that of a Hollywood blockbuster—dozens of writers and producers converge on each track to produce the most immaculate, pungent production possible. But that’s exactly where MeLo-X excels—collaboration.

His sparse productions, often centered around spaced-out percolating frequencies, give a dark, spatial depth to the music he touches—his voice is understated yet distinct at the same time.

Curate

Both his overall aesthetic as well as his affinity for collaboration are in full view on his 2015 solo CURATE EP which features music from buzzing hip-hop artists Little SimzKilo Kish, and Raury—he also released an interactive app to accompany the EP allowing fans to create their own remixes.

2016 has been nothing short of a whirlwind for MeLo-X. He hit the year off with another remix collection, titled Adele-X, centering yet again on the music of a pop music enigma as his subject.

MeLo-X  also recently released a track with glitch-centric electronic artist Machinedrum called “Angel Voice”—as well as helping produce track “Cleopatra” for up-and-comer Queens-via-Bengal hip-hop buzz magnet Anik Khan.  While it might be impossible to tell what MeLo-X will take on next, it’s certain he won’t be slowing down his pace anytime soon.

WATSKY’S x INFINITY HARKS BACK TO SLAM-POETRY DAYS
9:30 am

On  August 29, 2016, George Watsky, a rapper, poet and artist, released his studio-album x Infinity.  This marks the first studio release by Watsky since his 2014 studio-album All You Can Do.

In accordance with his typical flair, Watsky announced that with the release of x Inifinity, he will be going on tour across the United States, doing stops and shows for fans along the way. 

In a recent YouTube video titled, “New Watsky Album, Tour + Goodbye Subaru,” Watsky said that he will be embarking on this venture in his own Subaru, which was popularized in several of his previous music videos, and at the end of the tour he will be giving away the car to one lucky winner.  The people with the chance to win the car are fans who preordered x Infinity that live in North America.

x Infinity highlights Watsky’s cascading raps, and interweaving lyrics that are reminiscent of his days as a slam-poet. In tracks like “Pink Lemonade,” Watsky draws on heavy-hitting, aggressive vocals tonalities, paired with a synth rooted melodies and backing bass. In tracks like  “Love Letters” and “Talking to Myself” Watsky pulls piano elements, and more traditional tonal progressions, which make the album feel very rooted in hip-hop.

All in all, x Infinity echoes the best aspect about Watsky; the music is unpredictable.  You can’t go into x Infinity with expectations, because each track is different from the one that precedes it.   

Listening to x Infinity I found myself thinking about Watsky’s slam poetry days, and pieces like “Drunk Text Message to God.” x Infinity displays the same creative spirit. Watsky is able to touch on some serious topics, in a lighthearted and interesting atmosphere.

Featured Image Source – Gage Skidmore 

HOW MANY OF THESE ICONIC BANDS SHIRTS ARE WORTH THEIR HYPE?
September 30, 2016 2:20 am

The culture surrounding band shirts is so fucking masturbatorial. I know this first hand, since I own roughly 20-30 of them. As someone who spends far too much time obsessing over both music and sports, I can’t help but notice the similar satisfaction each respective fan base takes in showing off how passionate with specific articles of clothing. For sports fans, it’s a jersey. For music fans, it’s a band shirt. I’ve seen 20 minute long interactions heavy on mutual admiration over both of these items at a game or a concert countless times. It’s like a secret handshake for these people.

Again, I am part of this very snobbish problem. I proudly trot out my Darko Milicic jersey as often as possible in public. People need to know that I know about the Human Victory Cigar. And as a teen, I found a rinky dink website that allowed me to slap a .jpg of a Simpsonized Sonic Youth onto a t-shirt that they then gladly pressed for me. Nothing gives me greater satisfaction than when somebody jealously squees “where did you get that?!?!” at me. Might be why all my relationships never last over a month, who knows.

Because this is the type of monster I am, my standards for this subset of fashion is absurdly high. Specifically band tees, since they’re the more commonly worn item. Some are perfect. Others are probably more useful as food for fire. Others, however, reach a rare air of ubiquity that transcend music taste altogether. The design strikes such a cord that people who might not have ever heard a song by a band will proudly wear the shirt.

Whether or not that’s a bad thing is an entirely different discussion that really only means anything to the most annoying realms of my personality. What I want to try to figure out is how many of these iconic shirts are actually worth the hubbub from a design standpoint. Are these shirts worth their hype? Well, let me put my Hat of Objective Judgement on and discuss.

 

1) Johnny Cash’s Middle Finger Shirt

 

What a rebel! Boy, oh boy, Johnny Cash was sure a troublemaker back in his day, wasn’t he? A middle finger? My word, what a provocateur! The sheer amount of rebellion it takes to pose in front of a camera with all but Mr. Middle Finger (the most important of all fingers) folded down is unheard of. Not enough artists flip off photographers nowadays! That’s what’s wrong with today’s music. Man, we need more dirtbags like Johnny around, man. Ugh, I’m done pretending that this shirt is cool in any way or that Johnny Cash makes enjoyable music.

NOT WORTH THE HYPE.

 

2) Joy Division’s Unknown Pleasures Shirt

Image result for unknown pleasures shirt

While there’ve been a myriad of spins on the original design recently, from Wu-Tang to Mickey Mouse, oddly enough, nothing can beat the original. It’s a beautifully simplistic design that’s gotten more and more popular over the years. I can never see myself getting tired of seeing it.

WORTH THE HYPE

 

3) Metallica’s Master of Puppets Shirt

Image result for master of puppets shirt

Considering that the breed of YouTube commenter most likely to post a homophobic slur on a Justin Bieber video tends to have a Heavy Metal album cover as their their picture, it tickled me beyond belief when the Beebz started incorporating those bands’ shirts into his daily fashion. Metallica, Slayer, Iron Maiden, all of them Biebered. He even copied Iron Maiden’s font for his latest tour’s merch. The trend’s caught on like wildfire. These shirts are all over places like Urban Outfitters and H&M now. It’s kind of impossible to explain exactly how or why it happened, but I’m so over the moon with the fact that it did.

WORTH THE HYPE

 

4) Rolling Stones Tongue Shirt

Image result for rolling stones shirt

Look at this stupid fucking logo. This dumb, overly glossy piece of pop-art trash is going to wind up outliving each member of the Rolling Stones themselves. It remains a mystery to me why anyone would want to have some hornily panting tongue smack dab on the middle of their chest, but this is the America that we live in today.

NOT WORTH THE HYPE

 

5) Black Flag Logo Shirt

Image result for black flag shirt

Even more than the Unknown Pleasures tee, this one has had so many parodies to it. And it’s more minimal than Joy Division’s design, too! It’s just the band’s name with a bunch of skinny rectangles sloppily lined up. There’s no reason why this should be so exceptional, but it is. It’s basically the shirt every Punk band wishes they could call their own.

WORTH THE HYPE

 

6) Pink Floyd’s Dark Side Of The Moon

Image result for dark side of the moon shirt

 

Listen, I don’t really want to spend too much time on this one. It’s fine, okay? I get it, rainbow on one end, no rainbow on the other. Very symbolic. Is symbolic the right word to use there? I really don’t care enough. For me, this shirt screams ‘Guy In His 40s Who Buys All His Graphic Tees At The Gap’.

IT’S FINE, WHO CARES.

 

7) RUN-DMC Shirt

Image result for run dmc shirt

For some odd reason, Run-DMC is one of the few rap outfits that currently have a truly exception shirt to call their own. I’m not really sure why that’s been the case, but considering how awesome the merch from guys like Kanye, Drake and Tyler, The Creator have looked the past few years, that should be changing real soon. For now, though, this one remains the genre’s gold standard.

WORTH THE HYPE

 

8) Led Zeppelin’s Naked Angel Shirt

Something about a naked angel who appears to be writhing in agony just seems to resonate with a bunch of folks. Whenever I see this dumb angel, I just want to shout “GET OVER IT, STUPID ANGEL!!!” at it. Then I realize I’d be shouting this at someone’s chest and that isn’t really cool. The odd thing is, I do get it on some strange level. Like, when I see this angel being all histrionic, it does sort of epitomize the bombast of Led Zeppelin’s music. No part of me ever wants to wear this shirt, but I understand the appeal.

MEDIOCRE ENOUGH TO BE WORTHY OF SOME HYPE

 

9) Misfits Logo Shirt

 

Image result for misfits shirt

Years before I heard a single note come out of Glenn Danzig’s mouth, I was introduced to this shirt. I had no idea if Misfits was a band, a clothing brand, or some horror movie I’ve never seen before. The imagery always stuck with me, though. Once I finally started listening to this legendary band, I was obviously more than pleased, but I still think what Misfits is most known for is this fucking shirt. It’s amazing. I honestly wouldn’t be surprised if this shirt’s outsold their entire catalogue 10 times over. Everybody has this shirt. And with good reason, too.

WORTH THE HYPE.

 

Aaaaand that’ll be it for this installment of ‘Is This Band Shirt Worth The Hype?’ As you can see, the color black reigns supreme in the iconic band shirt world. Or maybe it doesn’t, and that’s simply a byproduct of my darkness bias coming through. There were a few other shirts I was considering adding to this list, but no other seemed as much of a no-brainer as these did. Perhaps a sequel is in order. 

VIBBLE: SMALL START WITH GREAT POTENTIAL
September 28, 2016 11:18 am

Vibble, for all intensive purposes, is your personal mix board. With transitions, samples, and faders, Vibble gives you the sense of being a DJ while cutting out the complications. It is stylistic, easy and fun to play with, a for sure download for someone who asks always wants the AUX cord in the car. However, the app is pretty minimal and would need a lot of updates and expansions to amount to something of real substance.

The App runs with Sound Cloud. You can search Sound Cloud through this app very smoothly and very fast and add the song you want to a simple playlist. You can play a number of different samples right over the tracks adding air horns, drum beats, and vinyl scratches to whatever you like on Sound Cloud.

I love Sound Cloud as much as the next person, but the fact that this app only uses Sound Cloud is pretty limiting. Even artists like Flume or Porter Robinson which have a strong presence there, don’t show up with any music inside the app. So unless you know a whole mess of small time artists off the top of your head, it’ll be difficult finding anything worth mixing and fooling with. I’m not a pro with this app either, so I might be missing how to use certain parts like saving music playlists or bookmarking artists, but as of now I haven’t found a way to retain any mixes or set-lists that I’ve made.

With all this said, it doesn’t mean the app is great in concept. The accessible fading and samples are refreshing, the design of the app is bright and fun, and the potential for greatness is there. I can’t wait to see this app a couple of months from now, it’ll be the new way to listen to your Sound Cloud favorites.