Ottawa-based quintet Fevers have experimented in and around the genre of electro-pop. With a second album in the making, what kind of sound can we expect next?
When Fevers‘ first album No Room For Light was released back in 2013, their song “Dance Cry Dance” became a popular target for remixes. The popularity of the song has since spawned a music video as well as an eponymous remix EP. It is perhaps no surprise that one of the most favored tracks of the album is most similar in style to the title track of their first EP, “Passion is Dead”, of which the music video won the first prize at Ottawa Film Festival in 2012.
“Passion Is Dead” and “Dance Cry Dance” are both fully electronic tracks. They have a dark quality to them, yet they’re jaunty and easy to dance to, however could also be a bit rough around the edges. The layers upon layers of droning electronic sounds seem to accumulate into a general white noise that drowns out almost everything else. These songs aren’t very characteristic of the band’s style, however. A quick glance into Fevers‘ body of work shows that they are capable of much more. No Room For Light features a number of subtler electronic tracks, most notably the song “Monuments”, which is a clear testament of their ability to be more economical in how they build up their soundscapes.
Of all the tracks on Fevers‘ original EP, “Sort It Out” stands out the most. It unexpectedly abandons the band’s signature electro-pop, and instead flirts with a post-rock sound somewhat reminiscent of Mogwai or Explosions in the Sky. It is a great song, and it is good to see how this style prevails to a certain extent in their EP, which ends in a similar dramatic fashion in “The Veil”.
Electronic tracks like “Monuments” and post-rock tracks like “The Veil” are the two ends of the spectrum. No Room For Light explores many paths in between, and it is in this combination of the two genres that the band really finds its feet. Songs such as “Autumn’s Dead” or “Goodnight” use instruments as their foundations, making the electronics feel more like the icing on the cake. Like in post-rock there is a grand and dramatic quality to the songs, yet they have a unique ring to them which makes it hard to pin down which genre Fevers actually belongs in.
Fevers clearly take inspiration from various places, and some of their endeavors have been more successful than others. Personally, I feel that they are at their best when they transcend the boundaries of electro-pop. In any case, after seeing how well they perfected their sound from their first EP to their first album, I am confident to say I’m excited to see what they have in store for us in their second full length release.