Electronica, Dubstep, Trap, House and Dance are some of your standard groupings for modern EDM. Flume seems to achieve a transcendence of all this while mixing in some profoundly experimental sounds and strong hip-hop elements. His newest album Skin is this great achievement. Suffering from a handful of small issues throughout the album, Flume still brings new life to the genre.
Born in Australia, Harley Streten began making music with a basic production disc found inside his cereal box at 13 years old. At the age of 21, his first album, self-titled Flume, was put out through Future Classic and the next year, 2013, it had a strong US release. With songs like Some Minds that came out in 2015, tours and popular remixes, Streten has been one active young man.
This brings us to Skin. I’ll be upfront, it isn’t my favorite of all his music, but this does not mean that it doesn’t have some seriously impressive tracks that will find their ways to my personal playlists.
From the beginning of Skin, songs like “Helix” and “Numb & Getting Colder” really show off his deep dedication to EDM and the art of music. He throws out the standard formula of builds and drops on many tracks for progressive pieces that feature very unique sounds and samples. Just like Skrillex and Daft Punk have explored what sounds can be made inside of software programs, Streten brings some surprisingly new sounds to the world. Listen to “Lose It”, “Free” and “Innocence” to better understand this impressive creative nature he has deep in him.
This is the main strength of the album, the ability to meld different sounds and use various samples in odd and interesting ways you’ve never imagined would work so well together. Flume is also a master of bass, seriously, your subwoofer probably hasn’t worked this hard in a long time. With pounds of drums and ambient bass lines, I haven’t heard songs with beautiful bass lines like this since Deadmau5’s 4×4=12.
He also mixes in a lot more hip-hop than I expected and it makes his music even more appealing and more addictive. You Know is such a progressive hip-hop/rap dedicated piece, if it weren’t for the other similar songs, you wouldn’t believe it was actually on Skin. My favorite on the album is Smoke and Retribution featuring Vince Staples and Kučka, its rhythm is so strong and the pauses with light synth parts is downright powerful.
Skin takes some dedicated time to understand and appreciate. It does something that I haven’t seen anywhere else using very different tones and genre melding tracks even including the infamous Beck. It is a hit and miss though, some tracks are great and appeal to everyone, but others might be only attractive to a select few. But if you like any kind of EDM, you’ll find a new favorite song from Flume.