“Do you want to be part of the largest movement to build the music business- to be part of the community that is affecting change?”
As a music enthusiast, it’s important that you know about one of the most important music events in the city. Being able to attend the New Music Seminar this year, I’ve been really fortunate to be a part of the music business movement and to be able to engage with colleagues of the same interest.
By attending panels that tackled discussions such as the role of artist managers and where indie labels stand in the industry right now, I was able to expose myself to a range of knowledge and ideas that I wouldn’t have been able to answer myself. It was motivational seeing important music business individuals express their informed opinions and give us advice on how to handle situations. I’m not going to lie, I was pretty excited sitting through these discussions and taking notes like I was back in college studying for a test.
While these mind boggling topics of the music industry kept me occupied during the daytime, I’d have to say that I was pretty impressed with the festival performances that went on in the evening. The opening night red carpet was held at Webster Hall with an extensive line up of talented musicians including Alessia Cara, Fictionist, Bad Veins, Belmont Lights, Jay Stolar, Grace Weber, and Melanie Martinez. Although Webster Hall is one of my least favorite venues in the city, NMS managed to glam it up with a beautiful red carpet. The show started later than expected and I was pretty exhausted from all the waiting, but I was blown by the amount of talent I saw that night.
I discovered Alessia Cara for the first time and was astonished by her soulful voice. I was also taken aback by Belmont Light’s powerful stage presence; so much so that it was impossible to think a record label hasn’t picked them up yet. Expecting Melanie Martinez to make a grand entrance on stage as a last act, she peacefully strutted her way on stage with no shoes on while hardcore teen fans raged. Although she seemed reserved at first, her confidence projected through the room when she started singing. Her songs may sound depressing with lyrics like “it’s my party and I’ll cry if I want to,” but it gets pretty contagious and you’ll be singing it to yourself the next few days.
The next two nights followed with an overwhelming line up of musicians who performed at DROM, Cake Shop, Pianos, and The Delancey. I ended up staying in Pianos for the first night seeing Little Racer, Lewis Lane, and Dear Rouge. Tuesday night had a line up which was tough for me to choose since my favorite bands were overlapping with each other. Most venues were pretty close to each other except for DROM, in which I exhausted myself running back and forth. I started the night with mellow tunes from Frances Cone, and checked out the indie-pop sister band Chaos Chaos afterwards right next door. I traveled all the way to DROM to see the last set of The Collection and made my way back to the lower east to see some Fort Lean because that Northside Festival showcase wasn’t enough for me. I definitely didn’t want to miss City of the Sun because no matter how many times you listen to them, they will never disappoint. There’s something about their tunes that put you in a euphoric state that leave you with the chills.
All in all, the New Music Seminar was a successful evening bursting at the windows and walls with talent, successful professionals, and innovative artists who live, breath, and work the ever-changing music industry!