concerts

QUELL YOUR LIVE MUSIC THIRST WITH QELLO
January 5, 2016 12:26 am

This morning I saw Radiohead live at The Astoria in London. In 1994. I know what you may be thinking. “Well Xavier, you’re only 22 how were you able to see that, also this morning?” And to that I say, “how do you know how old I am, reader?” To which you’ll respond “no seriously dude, stop being a dick.” Qello is a music platform that allows you to watch live shows from a collection of thousands of concerts and music documentaries, that’s how I did it, reader.

The platform, which started in 2010, is great for music fans that want to view their favorite artists’ live shows from the comfort of their own home, or office, or public tiolet. Qello could be viewed from your computer or from its app for both android and apple devices. The platform’s live performances include high quality concerts which are incredibly impressive for some of the older artists. They also have some great documentaries like Kurt Cobain: Montage of Heck.

Qello is a great resource for live music. That being said, so is YouTube. Qello does have a very impressive collection but not one that is worth the $7.99 monthly fee. Especially when YouTube has some of this same collection for free. I was able to find Radiohead’s live at The Astoria concert, the same one on Qello, for free on YouTube. Same thing for Amy Winehouse’s Live in London performance.

Amy

The site’s design looks as if it hasn’t been redone since 2010. The video player also looks super outdated. These aren’t completely fatal flaws in a site, but looks are important.

The site doesn’t have every artist because of obvious licensing reasons. You’ll be stuck if you try to look for any Arctic Monkeys, Fiona Apple, Mazzy Star or even The Strokes. These are obviously not the only ones, just the ones I tried to look for.

A lot of contemporary music is missing from their catalogues, which is another one of their big flaws. If you look in their “Spotlight” collection, you’ll see Queen, Elton John and Eric Clapton at the top.

Although I think the site is flawed, it’s still worth a try. It allows for a free week trial, which I signed up for in order to be able to see some of the other content. I’ve fallen in a concert hole; I’ve seen Amy Winehouse, The Doors, The Dresden Dolls, Radiohead and Queen today. This article was supposed to be due hours ago. Hopefully my editor understands, she did assign me this. What did she expect?

So if you’re like me and you’d like to watch some artists that are either dead or haven’t gone on tour in a while, (I’m looking at you Radiohead. Seriously, wtf?!) then check out Qello. Sign up for a free weekly trial. Then try to remember to cancel it. I know I will.

Brooklyn Loves The Cribs
September 25, 2015 10:23 am

cribs1

I’ve tried to write this article a few times. But every time I start, I fangirl. The Cribs are just that good. Tuesday night saw the band take the stage at Music Hall of Williamsburg for 90 minutes of loud, sweaty fun, and enough distortion to make My Bloody Valentine more than a little jealous.

This show was part of the band’s second trip to New York this year, in promotion of their most recent album For All My Sisters. On October 30th, they’ll be releasing their “Summer of Chances single as a limited 7’, with the deliciously grungy “Wish I Knew You In The 90s as the B-side.

For those of you unfamiliar with the band, it consists of Wakefield-born twins Ryan and Gary Jarman on guitar and bass respectively, and brother Ross Jarman on the drums. They’re the third most popular band that have had Johnny Marr as a member.

cribs3

As soon as The Cribs set foot onstage Tuesday night it became clear that there was a sizeable crowd from England that had come to see them. Intermittent chants of “Yorkshire” echoing throughout the audience lasted through the duration of the show, and served as a reminder that even rock stars are not immune to a good ribbing.

After performing the first couple of songs, Gary held up his bandaged wrist and explained to the crowd that his playing may not be as energetic as usual. This was followed by the band taking turns telling the audience how they toured with Aerosmith in 2010, but managed to piss them off by the end of it. The banter came to a close with the audience singing Happy Birthday to Ross. For the record, it was actually Ross’ birthday.

The Cribs stage show is pretty no-frills, relying solely on simple lighting and the frenetic stage presence of Ryan, often rendering him a challenge to photograph in a way that didn’t make him look like a colorful blur. Hell, that probably would’ve suited him. And it’s not like the audience cared. Whereas so many shows these days are dominated by kids taking endless photos of a band they’re only “meh” on, the audience was every bit as into the show as the band, moshing and even crowd surfing along with the best of them.

cribsssss

The highlight of the night came when the curtains opened at the back of the stage, revealing a projection screen used to show footage of Sonic Youth guitarist Lee Ranaldo along with an audio recording of his spoken-word vocals on the incredible “Be Safe. A week prior, Ranaldo had joined The Cribs live during their show at Montreal’s Fairmount Theatre for the same performance.

The show closed with “Pink Snow, the song whose lyrics gave For All My Sisters its title. At seven minutes and thirteen seconds long, it was a great way to hold on to a great show just a little bit longer. After that, they were gone. There was no encore; we were all spent.

Listen: The Cribs