dance pop

DELOREAN: A MUZIK TIME MACHINE
June 29, 2016 12:04 pm

Delorean has been through more things than your average band since they last released an album. After being kidnapped in 2013 while on tour in Mexico City, the Spanish indie dance quartet have given us their fifth album, Muzik. Dance music requires the ability to be audibly stimulating, but also physically experienced. The majority of the tracks heard on Muzik rely on the driving force of the kick drum and smooth aural landscapes painted by synthesizers. While not a complete departure from their previous sound, this album shows new growth for the band.

The album is nearly 100% electronic with real drums as the only organic aspect of the sound. For this record, Delorean chose to mix their knack for indie pop with their House music influences. In a recent interview, they explained what they meant by House music, “House is a very broad term, so we did not want to focus on a type of House, but to honor all its forms and productions that we have been absorbing throughout our lives.” Those House influences are very apparent on the title track, “Muzik,” opening with an atmospheric synth pad and Ekhi Lopetegi’s vocal part while slowly adding a kick and a snappy high hat before turning into a real dance track for the last half of the tune.

Their DJ mixing abilities that dramatically influenced 2010’s critically acclaimed album Subiza have culminated here on Muzik in an ultra modern fashion. They worked with remixer DJ Kigo to open a local club called Desparrame. This was the launching pad for their remixing skills. The 2013 effort Apar met the critical acclaim of Subiza thanks to a progression in those skills. Since 2010, Delorean has become as known for their marathon DJ sets as they are for their material as a band.

Standout tracks on the new album include “Contra,” “Muzik” and the closer “Parrhesia.” Throughout their career, Delorean have created their own blend of melody and emotions. The sound that they once pioneered is more commonplace these days, yet Delorean continues to deliver the sonic quality that is expected of them. As of now, the band is only playing a handful of tour dates in Europe, but should they announce a tour in the states, they should not be missed. They have toured with the likes of Miike Snow in the past, so it would be fair to expect them on a good tour this time around.

With Muzik, you get a bit less of the indie rock heaviness and more of the 80’s disco vibes that make it easy to see why the band named themselves after a time machine from a classic 80’s film. If we’ve learned anything, it’s that Delorean can and will continue to make modern albums that take us back to a time when dance pop was king.

MiiKE SNOW REV UP FOR iii
January 6, 2016 1:46 pm

Miike Snow is revving back up. Their highly anticipated iii is set to drop via Atlantic March 4th. But let’s face it, this Swedish synthpop trio is all about their propensity for bombastic club hits.

“Heart is Full,” the first single off their new album, dropped late last October.  The track fits neatly into Snow’s boogy-inducing catalog.

In typical Miike Snow fashion we have here 4 minutes of polished, immaculately-produced, radio-ready dance pop.  The track opens with a sample of “The Cook Up“, a deep album cut of Apollo Brown and Guilty Simpson’s 2012 record Dice Games.

Andrew Wyatt compares the heat of love, or perhaps the commitment, to a prison sentence: “I’ve got you locked down like police / And no three-to-five, you’re doing life, so.” The chorus here doesn’t exactly make sense either; “Please don’t knock over my heart / because my heart is full of you.” It’s a bit perplexing. It’s damn catchy.

This one’ll get the crowd jumpin’ for sure when Miike Snow takes the highly coveted Coachella stage this April. We’ll see you there.

IT ALL FEELS RIGHT WITH WASHED OUT
November 18, 2015 1:56 pm

If I were to take a wild guess, you, the reader, having ventured into our wondrous world of ATYPICALSOUNDS, might be into ‘indie’ music, which by that extension means, you might recognize this tune.

Washed Out Band Photo. Ernest Greene pictured.

The creative forces behind Portlandia didn’t randomly select that snippet as the backdrop for their sketch comedy roughly based around the ill-defined ‘hipster’ niche. Washed Out’s “Feel It All Around” was the anthem to a short-lived–yet indispensable–piece of nostalgia-injected ambient-electro dance pop that emerged circa 2009 that is referred to as “Chillwave”, often characterized by heavily distorted lyrics, synthesizers, and sampling.  Think Toro Y Moi Causers of This Neon Indian’s Psychic Chasms or Aerial Pink’s Before Today.

Washed Out is Athens, Georgia native Ernest Greene. He was discovered on, of all places, his MySpace account—which was still the social media mode of choice for most aspiring bedroom musicians at the time. Greene released his first two EPs High Times and Life of Leisure both within a short span in September 2009.  The former of the two was released via exclusively on cassette tape.  The latter saw a much wider release on Mexican Summer, a Brooklyn-based record company that specializes in elaborate vinyl packaging. Life of Leisure served as a major catalyst for Mexican Summer, which, along with Best Coast’s 2010 debut Crazy For You, was a hot commodity indie label at the time–and was certainly a major player in the vinyl craze that started around that time.  Greene next moved to Sub Pop where he released his debut full-length Within and Without in 2011 and followed up with Paracosms in 2013.

Thematically, Washed Out’s music tends to revolve around one central theme.  Look no further than his debut record cover.  That’s right: Love. Washed Out is a desperate romantic chasing after his muse. The titles of Greene’s tunes don’t really beat around the bush either; for example, “The Sound of Creation,” or “It All Feels Right.” His music is sensuous, immersive, and evocative, and at the same time, quite beautiful and dense.  Make-out music on a mild dose of psychedelia.