new album

SAY YES! AN ELLIOTT SMITH TRIBUTE
October 25, 2016 9:49 am

It’s been thirteen long years since Elliott Smith took his own life on October 21st,e 2003. He battled demons a majority of his short life and his music brought so many people the harsh reality of that struggle into the words we could tangibly use to forget our own aches for a few moments, or for an entire album. In my opinion he is one of the most underrated geniuses in modern music.

A group of other musicians apparently felt the same way when they decided to get together and create a tribute album for Smith titled Say Yes! as released by American Laundromat Records. It features bands such as Yuck, Waxatachee and artists like J. Mascis and Julien Baker. A wide array of sludgy rock to intensely acoustic indie artists. I think my favorite from the album is the Yuck version of “Bled White, which is also an all time favorite Elliott song of mine.

I’ve personally covered one Smith song during a live performance “The Biggest Lie”. While I enjoyed singing my heart out, Elliott’s songs are a force to be reckoned with. A tantrum of eloquence and equally as dark currents raging inside of a drowning man. It’s nearly impossible to recreate the feelings Smith captured in his music.

Honestly, I was pretty giddy at first and while I wholeheartedly appreciate these artists showing their influence by Smith, it was almost a little hard to hear the songs without Elliott. The fact that 13 years after I find him, he is no longer putting out new material is a heart wrenching realization for me. There just isn’t a way for other artists to recreate something so personal, and the despair he felt daily triggered the wild agony in his songs. These things made them what they are, and it is a travesty to deny that.

However, these songs are a tribute and we can not look into them as if Elliott is there, but more so that he was inspiration to them.

Songs you can find on this album include but are not limited to, “Waltz #2 done by J. Mascis, “Easy way out” done by Wild Sun, and “Division Day done by Lou Barlow. Yuck’s upbeat version of “Bled White” got me pretty pumped up for the album as the first song I heard with its punchy drums and rock version of a song always adored. In J. Mascis’ version of Waltz #2, he seemingly chose specific parts of the song to use, and it’s very eerily pasted together with slow vocals and droning guitar and drums, at first I wasn’t even sure it was the same song.

We may have lost a very valuable and pivotal force in indie, acoustic and rock and roll music thirteen years ago, but his music transcends time and is not fleeting by any means of the word. Elliott had an unwavering ability to create classic music that would punch you in the gut every time you listen. There is no simplicity, paper thin vocals, shuttering harmonies, both clean and distorted guitar riffs in all the right places, so much Beatles influence you’ll be humming “The Two of Us” or “Helter Skelter” without even knowing why after checking out Figure 8 or From a Basement on a Hill.

Take a listen to this new tribute album, and if you haven’t yet listen to Elliott’s albums front to back in memory of 13 years without him in the physical realm, go and do that too. He’s always here in the musical realm, hats off to you Elliott Smith.

 

THE BLACK PARADE IS BACK IN A NEW WAY
October 19, 2016 11:23 am

“When I was a young boy, my father took me to the city, to see a marching band…”

This line of lyric is so universally known by the rock world that no one can hear this song and not feel some strong attachment to it. My Chemical Romance‘s immersive album The Black Parade was part epic, part tragedy filled with soaring highs and wallowing lows. Rock Sound magazine is celebrating the 10th anniversary of this legendary album with the story of the creation and life of The Black Parade and an incredible amount of content.

9390352-368-k802450A decade is a long time, in 2006, the Playstation 3 and Nintendo Wii came out, Casino Royal and Cars debuted, Justin Timberlake was bringing “Sexyback, Shakira’s hips didn’t lie and Daniel Powter was still having his bad days. This was a year of strong movement in pop culture and punk rock was being redefined. My Chemical Romance way making one of the biggest movements because of their raw style of music, fashion and tone in their genre defining The Black Parade.

Rock Sound’s October edition is an essential for any punk, emo, rock or ska fan. There is a beautifully told story of MCR’s creative process of The Black Parade and its life and impact it had on the band. It is filled with a lot of funny small stories and interesting insights on why the band took a break and how they dealt with all of these changes.

However, the part of this edition that seems more interesting and gripping is the cover album that accompanies the issue. Rock Sound gathered a grand collection of artists deep in the indie rock world to cover each song on The Black Parade giving each track new life while saluting them with praise and honor at the same time. From Escape the Fate‘s similar and powerful rendition of “Dead!” to Twenty One Pilot‘s heart breaking performance of Cancer and Against the Current‘s different take on Teenagers, this album brings new life to The Black Parade while reminding you how truly amazing this album was and still is.

I would recommend anyone and everyone who is a fan of MCR, The Black Parade, punk, rock, indie, ska, heavy metal or good music in general to pick up this epic issue of Rock Sound with the additional tribute album. MCR is also celebrating this 10th anniversary with a special deluxe edition that any fan NEEDS to get, you can’t miss this. The Black Parade is amazing in both forms and may their music and memory carry on.

BRAVE BABY BECOMES OUR NEW ELECTRIC FRIENDS
October 18, 2016 9:41 am

Brave Baby are a band from Charleston, South Carolina that currently carries the torch for the niche genre of southern indie rock. That title is normally reserved for bands that have at least one banjo, or cracklin’ piano, not synthesizers, 60’s-style organs, nor lead singer Keon Masters breathy delivery. The 5-piece is an eclectic mix of tender melodies, upbeat, danceable, radio ready singles, and southern charm.
They released their debut record Forty Bells on Charleston indie rock label Hearts and Plugs in 2013 that bring a DIY ethos, self-producing that record in their storage unit turned recording studio. The band released their follow up, Electric Friends, in 2015 to critical acclaim taking a giant step forward in terms of songwriting, and musicianship. The band’s multi-layered, synth-pop approach falls right in line with the millennial culture. Songs like “Daisy Child”, “Ancients”, and “Larry on the Weekend” have poured on comparisons to Arcade Fire, The Shins, and Death Cab for Cutie. The band is at once delicate, needing great care and undivided attention, yet ready for the long road-trip, with too many friends, crammed in the backseat of a Toyota Corolla.

TWIN ATLANTIC TAKES EUROPE
October 17, 2016 9:00 am

Twin Atlantic seem to be celebrating the release of their album GLA by tearing Europe to shreds. After a summer spent playing festivals including Glastonbury, Reading and Leeds, and T in the Park, the band is taking the show on the road with dates in Belgium, the Netherlands, Germany, and a whole ton of other places.

ATYPICAL SOUNDS exchanged some transatlantic emails with drummer Craig Kneale and got the scoop on the creation of GLA, and the finer points of living in Glasgow.

I was in Glasgow over the summer, and did a number of things that are probably considered “touristy”. What do you think visitors to Glasgow generally miss?
Glasgow has a thriving arts scene, and I suppose you would miss that if you didn’t dig a little deeper below the surface. The four compass points of the city (East/West/South/North) are all so different from each other too – you won’t get the full picture unless you experience a little bit of each of them.

King Tut’s is a pretty well-known music venue in Glasgow. What others do you like for seeing live music?
Well, not being biased – but Barrowlands is one of the greatest venues in the world. I’ve never seen a bad show there – there’s something in that room that creates an electric atmosphere between the performer and the crowd that’s really special.

You’ve performed at a number of music festivals, as well as some smaller venues. Do you prefer one over the other?
I think you can’t really appreciate one without the other. I suppose that our own shows are always more special to us – but it’s great getting to spend the summer playing festivals when the pressure is off a little. When it’s your own show and people have paid to see you, there’s more at stake as you don’t want to let people down.

Are there any bands/musicians in Glasgow you feel deserve more attention?
I’m a little out of the loop on music in Glasgow at the moment, but I really like Holy Esque. I think they’re already on their way up, but even the biggest bands in the world could do with more attention I guess.

GLA, your new album, has a much heavier sound than your previous releases. Did something make you want to create a less pop-sounding album?
It kind of naturally happened when the album was being written. Perhaps subconsciously the songs turn out heavier as there were moments on the last album where we weren’t all fully attached to the songs. GLA seemed to be much easier to record than the previous album – so perhaps it’s a more natural sound for us.

What music are you listening to currently?
I’m currently listening to a lot of Parquet Courts + Mac DeMarco. And I got the new Local Natives album this week which I really like.

You recorded GLA in Los Angeles, which is obviously very different from Glasgow. Is there anything you miss from your time there that you can’t do at home?
Well, the sun is out constantly so you don’t have to plan to do things dependent on weather like you do in Glasgow. Being able to drive to a beach and look at the ocean is something I don’t think I would get bored of either.

What advice would you give a band who are just entering the music business?
Just throw everything at it and always go with your instinct.

Is there anything you were surprised by when Twin Atlantic was first starting out?
Hmmm, not really. Everything at the start of this band was a learning curve for the 4 of us so we kind of tackled everything together. We started right at the very bottom so we were kind of prepared for most steps by the time we got to them.

Are you planning any shows in New York?
I really hope so. It’s one of our favorite cities, and one we’d love to come to more. I think there are plans to get over early next year, so hopefully it all works out.

HER NAME IS BANKS
October 12, 2016 5:35 pm

Her name is Banks and she should be on your your radar by now. If not, no worries we have you covered—you won’t lose any indie points yet.

Jillian Rose Banks, known by her fans as BANKS, started gaining buzz in 2013 when she toured internationally with The Weekend. Since then she’s performed on Jimmy Kimmel Live, and has been featured on Grey’s Anatomy and the Divergent soundtrack.

BANKS makes beautifully haunting pop music that is intricate and witchy (check out tracks titled Haunt and Poltergeist). If you’re a fan of Halsey, you’ll definitely vibe with banks, as they both deliver the edginess mainstream pop needs.

She doesn’t shy away from talking about serious issues like depression and emotion in her lyrics, which is an important for a mainstream artist to address.

I think there’s this stigma and this fear. I’ve experienced it in business as a woman; people call you emotional when you’re just saying what you want. It’s actually not emotional, it’s just factual. And I think people kind of put this projection onto women like they’re being hysterical, bitchy or like a diva when they’re just working and being strong. I think it’s not only important to be connected to your emotions, but also to not feel like you’re being emotional when you’re not. [Learning] that has actually really helped me to feel empowered,” as told to ID magazine

On her newest release, The Altar, she belts out assertive, sneering lyrics on the lead single, “Fuck With Myself,” that just might prove her edginess the key to her longevity.

Her name is Banks and she’s on her way to becoming a bonafide pop icon, so you’d better not forget her name.

TWO DOOR CINEMA CLUB IS THE SHAMROCK MUSIC KING
September 29, 2016 5:27 pm

Two Door Cinema Club are an Irish indie rock trio that seemingly just want to dance. Alex Trimble, Sam Halliday, and Kevin Baird make music that instantly plug ear-worms to your cerebellum with instant infection. Their music videos are also as infectious, showcasing the band’s quirky, yet honest, sense of humor. Forming in 2007, while the lads were still in school, they have since released two full-length albums, with one on the way in October, and a handful of EP’s. They have gained a substantial following in their home country of Ireland, and are doing the same in the US with incessant touring and festival appearances.

Prior to forming Two Door Cinema Club, the trio performed as a band in their teenage years dubbed “Life Without Rory”. The band, released 3 demos,  finished dead last in local competitions, and decided to move on to greener pastures. The trio came back together to form another band without a full-time drummer and settled on the name Two Door Cinema Club after Sam Halliday’s mispronunciation of the local movie theater the Tudor Cinema.

Two Door Cinema Club released an EP in 2009 titled Four Words to Stand On that gained a little interest. Their first full-length record, Tourist History, was released in 2010 with the band finding their niche. Tourist History went on to be selected for the Choice Music Prize for Irish Album of the Year. Follow-up album Beacon was released 3 years later to similar reaction pushing the band to release a four-part tour documentary entitled What We See. An EP, Changing of the Seasons, came in 2013 coupled with a jump to Parlophone Records in 2015. Their third proper album, Gameshowand first for Parlophone, is slated for release in October, 2016.

Two Door Cinema Club will be featured at the Austin City Limits Festival on October 1st, and will continue touring North America through November 2016.

MIIKE SNOW: POP BEATS MODERN MUSIC NEEDS
September 22, 2016 6:05 pm

Miike Snow is the indelible, organic, pop hook-laden band consisting of the production team of Bloodshy & Avant, coupled with singer Andrew Wyatt. The group has been releasing albums of danceable, heavy, somewhat macabre music since 2009. Three albums to be exact, Miike Snow, Happy to You, and iii, all distinct in their own right, but inherently easily recognizable as Miike Snow.

Prior to forming Miike Snow, the production team of Bloodshy & Avant, Christian Karlsson and Pontus Winnberg, were sought after producers and songwriters by some of the biggest names in pop music. Karlsson was a member of the Swedish hip-hop group Goldmine and toured with The Fugees. Under the moniker of Bloodshy & Avant, the duo produced singles for Madonna, Kylie Minogue, and Britney Spears, eventually going on to win a Grammy Award for Best Dance Recording for Spears’s 2004 hit “Toxic”. Bloodshy & Avant was introduced to classical and jazz educated Andrew Wyatt through a mutual friend and took the name Miike Snow. The name was also a play on Japanese film director, Takashi Miike, when they added an extra “i” for their eponymous debut in 2009.

Their music has been described as “A-Ha meets Animal Collective” by The Guardian, which is a great description of the groups deep, rich production beats, and Wyatt’s soft baritone and strong range. The group has gone onto win some awards of their own, and has developed a deep respect from a multitude of artists including: Depeche Mode, Kings of Leon, and Vampire Weekend, through their remix collaborations. Miike Snow released their latest record iii in March of 2016 with tracks “Heart is Full”, and “Genghis Khan” accompanied by full-length feature videos to great fanfare. Miike Snow played a string of 2016 summer festivals including Coachella, The Governor’s Ball, and Lollapalooza, and continues their North American concluding with the Austin City Limits Music Festival on October 9th in Austin, TX. If you find them near you, you need to see him and get get addicted to their amazing music.

JULIEN BAKER TURNS PHILLY INTO THE QUIETEST CITY
September 21, 2016 11:09 am

It’s no secret that ATYPICAL SOUNDS loves Julien Baker. She was our November Artist of the Month last year, so when I found out she was playing at Underground Arts in Philly I knew I had to be there.

The two show line-up was Tennessee-based Baker and Philly’s Grayling. As much as I don’t want to admit it for the sake of losing “punk cred,” two show lineups are sick. You get to go see some bands, feel some feels and still not be too tired for the next morning (I was still late for class but that’s just because of who I am as a person).

Grayling came on around 8:30 and played about a 7 song set that shows me that this band is here to stay. They are pretty badass and if you haven’t checked them out you need to do so ASAP. They will make you feel badass too.

Julien Baker started playing around 9:30 and while her set was only about an hour, for that one hour the small venue on 1200 Callowhill, was the quietest place in all of the city. Baker played songs of her record Sprained Ankle, which is a powerful testament to love, heartbreak and realization. It was just Baker and her guitar on the stage with one spotlight that made the singer look like an angel. Just like on her record, her voice quieted down and then tore through the quiet, each time taking the crowd with it.

There was not a dry eye in Underground Arts, I can guarantee it.

MOVE WITH THE SEASON: FALL PLAYLIST
September 19, 2016 10:08 am

Oh  Fall, some love you, some hate you. The days grow colder and the sun sets earlier as a subtle reminder that WINTER IS COMING. This pumpkin flavored playlist (because what honestly isn’t pumpkin flavored right now) has got all the ups and downs of Fall feels.

Some slow songs to ease you into the dark cold (Morrissey), some upbeat songs to keep you moving with the seasons and doses of nostalgia (oh yeah, Hot Chip cover of Bruce’s Dancing In The Dark).

This playlist has everything including lots of awesome bands with shows coming up in New York you don’t want to miss. There are songs to get stoned to, songs to dance to, songs to mope to, songs to leave the basic bitch uggs and pumpkin spice everything behind for some stranger things…something atypical.

“When the time comes move with the season, lend your young ear to the sound of day.” –TEMPLES

 

LINDSEY STIRLING: BRAVERY IS ENOUGH
September 1, 2016 6:35 pm

 

Lindsey Stirling was a sensation and novelty act years ago, with dancing, dubstep and epic violin solos she broke the mold. Being one part of EDM dubstep, one part classical and one part pop, Lindsey has no fear to be who she truly is. However, like most impressive and creative acts, they can be one hit wonders and terribly repetitive after awhile, lacking creativity or diversity.

I am happy to say, Lindsey Stirling is not like those others and she shows her powerful ability and innovation in her new album Brave Enough.

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I actually saw Lindsey Stirling years ago in a quiet auditorium in at the Visitors Center of the Mormon Temple in Washington DC. She played Shatter Me with such beauty and grace being only accompanied by a man with a drum box and a piano. Her passion was unreal and the whole audience was in awe afterwards. If you ever get the chance to see her, I absolutely recommend it.

Brave Enough is a beautiful and strong example of her abilities to collaborate with others while still emphasizing the special talents of each artist. From Rivers Cuomo (Weezer) to Christina Perri and ZZ Ward to Lecare, Brave Enough is so packed full of artists it’s almost hard to keep track of them all. It is great to see her fame being put to good use bringing them all together in one cohesive piece.

Her strongest point in her music is also a bit of a weakness though. Fast paced violin work mixed with dubstep and drums is a wonderful mix and I love it even more in this album, the songs sound clear and individual, never repetitive. The only thing I would want from her would be some more relaxed and slower song. “Gavi’s Song” is fantastic, and I would love to hear more of this style. but it is only a minor complaint, the album and each track is honestly very good and totally deserves your time and money.

I am happy to see this album exceed my expectations. I thought it would be a set of familiar sounding songs that featured some mediocre singing here and there, but I was wrong. It is a variety in writing and collaborations make a wonderful album filled with enough energy to fuel your night drives, video game marathons or morning workouts. Check it out and love every moment of it.