new release

JAPANESE WALLPAPER EMERGES FROM ITS COCOON
October 27, 2016 9:28 am

When I was 17 years old, I was doing what most other 17 year old teenagers do; playing sports, doing homework, driving a car for fun, I was even playing guitar a lot by most standards. But I was creating nothing like Gab Strum did in his seventeenth year.

He started the electronic pop project Japanese Wallpaper and released his first single “Waves” back in 2014. Even at this early stage in his career, the sounds he created were nearly on the same level as ambient titans Tycho and Boards of Canada. The ethereal, jovial tunes started drawing attention from some pretty well-known folks in the industry such as fellow Australian, Chet Faker. Also in Gab’s seventeenth year, he won Triple J’s Unearthed High competition. Oh, and his track “Breathe In” was also featured on the soundtrack for Zach Braff’’s follow-up to Garden State, Wish I Was Here. Seventeen! I think this goes to show how the state of modern music equipment has altered the music scene. If a high school kid fifty years ago wanted to make music with more than a guitar, he would find it incredibly difficult to do so. The tools to do so weren’t easily available yet. Now we can download software on our laptops and create magic.

Gab did his first tour of Australia back in 2014 with great success. He has since been putting out EP’s with some fantastic remixes in the last couple years. Most recently this year he released the single “Cocoon.” Earlier this year, he released a deluxe edition of his self-titled EP that came out in 2015 with a slew of new remixes. The remix of Between Friends” by Sable is a noteworthy track from the record. The single “Forces” featuring Airling is a smash. I think it’s safe to say that Japanese Wallpaper has a promising future ahead of him. He has a few tour dates left in 2016 if you happen to live in a major Australian city. I imagine he’ll make his leap over to the states soon enough and I for one will be right there in the crowd grooving along to these incredible tunes.

VR ROLLER COASTER: NEW WAYS TO FLY
October 26, 2016 12:11 pm

We have covered Virtual Reality a handful of times here at Atypical Sounds, talking about its innovations and abilities, but people are already finding new and amazing ways to use these headsets, I’m pretty impressed.

A Virtual Reality Roller Coaster sounds like a vomit inducing headache. For those who get easy motion sickness with either roller coasters or VR probably shouldn’t go anywhere near these rides. But for those who love both of them and want to see something truly spectacular, this is the newest thing for you.

Here is the rundown, you hop onto a roller coaster, like the Superman: Ride of Steel from Six Flags, strap on a headset and that’s it! The display will move according to the coaster pretty smoothly and you look around like any other VR experience and enjoy the ride. Check out the video below and to see people ride it and see what it’ll look like compared a normal ride. I would highly recommend anyone that has a Six Flags near them to check out this incredible experience. VR has been pretty fun and amazing experience, but it is still pretty limited. This and other innovations are what we need to make VR an actual worth while investment for our culture, otherwise it will be like HD DVDs or 3D TVs, which died after a few years of being on the market.

The experience isn’t everywhere or on every ride, it is just in the starting phases. But you can be sure to see in the next 5 years the huge increase in VR roller coasters in places like Disney, Universal Studios, and Kings Dominion. Check out more about Six Flags VR and the upcoming Sea World VR.

SAY YES! AN ELLIOTT SMITH TRIBUTE
October 25, 2016 9:49 am

It’s been thirteen long years since Elliott Smith took his own life on October 21st,e 2003. He battled demons a majority of his short life and his music brought so many people the harsh reality of that struggle into the words we could tangibly use to forget our own aches for a few moments, or for an entire album. In my opinion he is one of the most underrated geniuses in modern music.

A group of other musicians apparently felt the same way when they decided to get together and create a tribute album for Smith titled Say Yes! as released by American Laundromat Records. It features bands such as Yuck, Waxatachee and artists like J. Mascis and Julien Baker. A wide array of sludgy rock to intensely acoustic indie artists. I think my favorite from the album is the Yuck version of “Bled White, which is also an all time favorite Elliott song of mine.

I’ve personally covered one Smith song during a live performance “The Biggest Lie”. While I enjoyed singing my heart out, Elliott’s songs are a force to be reckoned with. A tantrum of eloquence and equally as dark currents raging inside of a drowning man. It’s nearly impossible to recreate the feelings Smith captured in his music.

Honestly, I was pretty giddy at first and while I wholeheartedly appreciate these artists showing their influence by Smith, it was almost a little hard to hear the songs without Elliott. The fact that 13 years after I find him, he is no longer putting out new material is a heart wrenching realization for me. There just isn’t a way for other artists to recreate something so personal, and the despair he felt daily triggered the wild agony in his songs. These things made them what they are, and it is a travesty to deny that.

However, these songs are a tribute and we can not look into them as if Elliott is there, but more so that he was inspiration to them.

Songs you can find on this album include but are not limited to, “Waltz #2 done by J. Mascis, “Easy way out” done by Wild Sun, and “Division Day done by Lou Barlow. Yuck’s upbeat version of “Bled White” got me pretty pumped up for the album as the first song I heard with its punchy drums and rock version of a song always adored. In J. Mascis’ version of Waltz #2, he seemingly chose specific parts of the song to use, and it’s very eerily pasted together with slow vocals and droning guitar and drums, at first I wasn’t even sure it was the same song.

We may have lost a very valuable and pivotal force in indie, acoustic and rock and roll music thirteen years ago, but his music transcends time and is not fleeting by any means of the word. Elliott had an unwavering ability to create classic music that would punch you in the gut every time you listen. There is no simplicity, paper thin vocals, shuttering harmonies, both clean and distorted guitar riffs in all the right places, so much Beatles influence you’ll be humming “The Two of Us” or “Helter Skelter” without even knowing why after checking out Figure 8 or From a Basement on a Hill.

Take a listen to this new tribute album, and if you haven’t yet listen to Elliott’s albums front to back in memory of 13 years without him in the physical realm, go and do that too. He’s always here in the musical realm, hats off to you Elliott Smith.

 

THE BLACK PARADE IS BACK IN A NEW WAY
October 19, 2016 11:23 am

“When I was a young boy, my father took me to the city, to see a marching band…”

This line of lyric is so universally known by the rock world that no one can hear this song and not feel some strong attachment to it. My Chemical Romance‘s immersive album The Black Parade was part epic, part tragedy filled with soaring highs and wallowing lows. Rock Sound magazine is celebrating the 10th anniversary of this legendary album with the story of the creation and life of The Black Parade and an incredible amount of content.

9390352-368-k802450A decade is a long time, in 2006, the Playstation 3 and Nintendo Wii came out, Casino Royal and Cars debuted, Justin Timberlake was bringing “Sexyback, Shakira’s hips didn’t lie and Daniel Powter was still having his bad days. This was a year of strong movement in pop culture and punk rock was being redefined. My Chemical Romance way making one of the biggest movements because of their raw style of music, fashion and tone in their genre defining The Black Parade.

Rock Sound’s October edition is an essential for any punk, emo, rock or ska fan. There is a beautifully told story of MCR’s creative process of The Black Parade and its life and impact it had on the band. It is filled with a lot of funny small stories and interesting insights on why the band took a break and how they dealt with all of these changes.

However, the part of this edition that seems more interesting and gripping is the cover album that accompanies the issue. Rock Sound gathered a grand collection of artists deep in the indie rock world to cover each song on The Black Parade giving each track new life while saluting them with praise and honor at the same time. From Escape the Fate‘s similar and powerful rendition of “Dead!” to Twenty One Pilot‘s heart breaking performance of Cancer and Against the Current‘s different take on Teenagers, this album brings new life to The Black Parade while reminding you how truly amazing this album was and still is.

I would recommend anyone and everyone who is a fan of MCR, The Black Parade, punk, rock, indie, ska, heavy metal or good music in general to pick up this epic issue of Rock Sound with the additional tribute album. MCR is also celebrating this 10th anniversary with a special deluxe edition that any fan NEEDS to get, you can’t miss this. The Black Parade is amazing in both forms and may their music and memory carry on.

BRAVE BABY BECOMES OUR NEW ELECTRIC FRIENDS
October 18, 2016 9:41 am

Brave Baby are a band from Charleston, South Carolina that currently carries the torch for the niche genre of southern indie rock. That title is normally reserved for bands that have at least one banjo, or cracklin’ piano, not synthesizers, 60’s-style organs, nor lead singer Keon Masters breathy delivery. The 5-piece is an eclectic mix of tender melodies, upbeat, danceable, radio ready singles, and southern charm.
They released their debut record Forty Bells on Charleston indie rock label Hearts and Plugs in 2013 that bring a DIY ethos, self-producing that record in their storage unit turned recording studio. The band released their follow up, Electric Friends, in 2015 to critical acclaim taking a giant step forward in terms of songwriting, and musicianship. The band’s multi-layered, synth-pop approach falls right in line with the millennial culture. Songs like “Daisy Child”, “Ancients”, and “Larry on the Weekend” have poured on comparisons to Arcade Fire, The Shins, and Death Cab for Cutie. The band is at once delicate, needing great care and undivided attention, yet ready for the long road-trip, with too many friends, crammed in the backseat of a Toyota Corolla.

HER NAME IS BANKS
October 12, 2016 5:35 pm

Her name is Banks and she should be on your your radar by now. If not, no worries we have you covered—you won’t lose any indie points yet.

Jillian Rose Banks, known by her fans as BANKS, started gaining buzz in 2013 when she toured internationally with The Weekend. Since then she’s performed on Jimmy Kimmel Live, and has been featured on Grey’s Anatomy and the Divergent soundtrack.

BANKS makes beautifully haunting pop music that is intricate and witchy (check out tracks titled Haunt and Poltergeist). If you’re a fan of Halsey, you’ll definitely vibe with banks, as they both deliver the edginess mainstream pop needs.

She doesn’t shy away from talking about serious issues like depression and emotion in her lyrics, which is an important for a mainstream artist to address.

I think there’s this stigma and this fear. I’ve experienced it in business as a woman; people call you emotional when you’re just saying what you want. It’s actually not emotional, it’s just factual. And I think people kind of put this projection onto women like they’re being hysterical, bitchy or like a diva when they’re just working and being strong. I think it’s not only important to be connected to your emotions, but also to not feel like you’re being emotional when you’re not. [Learning] that has actually really helped me to feel empowered,” as told to ID magazine

On her newest release, The Altar, she belts out assertive, sneering lyrics on the lead single, “Fuck With Myself,” that just might prove her edginess the key to her longevity.

Her name is Banks and she’s on her way to becoming a bonafide pop icon, so you’d better not forget her name.

GRAPELL: SULTRY SOUL OF SWEDEN
October 10, 2016 8:22 am

Have you heard Love Chamber, the sexy (and sax-y) EP from Swedish duo Grapell? If your answer is no, scroll down a couple paragraphs and click play on that Spotify list. If your answer is yes, you (or your girlfriend) are probably already pregnant. Congratulations, and please don’t contact us for child support payments.

ATYPICAL SOUNDS shared some transatlantic correspondence with magic men Emil Erstrand and Nils Nygårdh, to find out how Love Chamber came to be.

You recently released your Love Chamber EP. What can you tell us about its creation?

Emil: We wanted the EP to have a real thread and to feel coherent, so all of the songs were written and recorded in a relatively short period of time. We used the same approach for all the songs and I think our vision was clearer this time compared to before. We also tried to keep things simple, to see the songs for what they are: quite straightforward love songs.

Is there anything you learned during the production of the EP that you wish you had known going into it?

Nils: One song got lost on the way due some technical problems, so we ended up not using that one. We couldn’t bother to record it again. But it did give us space for another track.

Emil: Since we do everything ourselves we learn things all the time. I hope and think we are getting better at what we’re doing with every release.

Do you have any music videos coming out for any of your new songs?

Emil: Yes, we do! We’ve got a really sweet video for our song Some Places coming out really soon. It’s directed and produced by the great Johan Stolpe.

How much input do you have on the creation of something like that?

Nils: This time we had an pretty clear idea about what we wanted the song to “look like”. So we gave the director our ideas of the setup from the start. And then he created his vision from that.

Can you explain the significance of using a photo of politician Gerda Antti for the cover of “Some Places”?

Emil: There really is no certain significance…We just like the picture of Gerda, especially combined with the picture of Walter (which is the cover of Arrow). I think they’ve got a really good vibe and an almost iconic feel. Alongside each other, the portraits somehow capture what the EP is about. Also, the pictures were taken by my grandfather.

walter gerda2

What are your favorite places in Stockholm for seeing live music?

Emil: I really don’t know. I don’t feel like there are too many obvious venues for live music in Stockholm these days. And very soon one of the better ones, called Debaser Medis, is closing. I do like a place called Cirkus – it would be really nice to play there in the future!

Nils: I recently found a new place actually. Its in the basement of the Scala Theatre and its called Lönnkrogen. Its a small venue and a feel of going back to the nightclubs in the 20s.

Are there any bands in Stockholm you feel deserve more attention?

Nils: Sonjagon is a Swedish band that had a lot of influence on us. The don’t play so much anymore unfortunately, once a year maybe. But their music is out there and should be listened to. Especially the debut album Arches.

Emil: Yes, and all of the bands signed to Strangers Candy of course.

 

To hear more of this amazing Swedish band, follow them on Facebook here,

MELO-X KNOWS WHAT IT TAKES TO CATCH BEYONCE’S ATTENTION
October 7, 2016 12:58 pm

MeLo-X  is traveling at warp speed. Pedal to the metal. The Brooklyn-based multimedia artist has a boundless artistic vision that rejects the conventional division lines between sight and sound.

Although best known for his collaborations with Beyoncé—the free-spirited rapper and hip-hop producer has also directed and scored films, designed art installations that they have at the MoMA and Guggenheim, is a trending fashion tastemaker and an advocate for staying grounded and true to your roots.

It would be difficult to find an artist in Brooklyn with a more varied palette than MeLo-X, and that’s saying a lot.

Yoncé-X

The self-proclaimed Renaissance man—born Sean Rhoden—got his first big break in 2014 following the release of Beyoncé’s self-titled surprise album. MeLo-X released an unauthorized collection of remixes titled Yoncé-X EP  which when picked up speed and went viral, eventually catching the attention of Queen B herself.

And there’s no one more powerful, more influential in the music biz than Beyoncé.

Pop artists are often treated as gods living among mortals—transcending human existence and amassing devout worship. If ever there was a pop artist that fits—if not demands this treatment from her fans—it would be Beyoncé Knowles.

Lemonade

So when MeLo-X was asked to co-direct the accompanying film scores to Beyoncé and Jay Z’s On the Run Tour, he jumped at the opportunity and didn’t look back.

Soon he was flying out to LA to help Beyoncé co-write and co-produce tracks “Hold Up” and “Sorry” off her 2016 album Lemonade.

Keep in mind, producing a Beyoncé album isn’t a typical of the industry. Rather, to visualize the scale of such a project, it’s easier to liken the undertaking to that of a Hollywood blockbuster—dozens of writers and producers converge on each track to produce the most immaculate, pungent production possible. But that’s exactly where MeLo-X excels—collaboration.

His sparse productions, often centered around spaced-out percolating frequencies, give a dark, spatial depth to the music he touches—his voice is understated yet distinct at the same time.

Curate

Both his overall aesthetic as well as his affinity for collaboration are in full view on his 2015 solo CURATE EP which features music from buzzing hip-hop artists Little SimzKilo Kish, and Raury—he also released an interactive app to accompany the EP allowing fans to create their own remixes.

2016 has been nothing short of a whirlwind for MeLo-X. He hit the year off with another remix collection, titled Adele-X, centering yet again on the music of a pop music enigma as his subject.

MeLo-X  also recently released a track with glitch-centric electronic artist Machinedrum called “Angel Voice”—as well as helping produce track “Cleopatra” for up-and-comer Queens-via-Bengal hip-hop buzz magnet Anik Khan.  While it might be impossible to tell what MeLo-X will take on next, it’s certain he won’t be slowing down his pace anytime soon.

iOS 10: THE GOOD, THE BAD, AND THE USELESS
October 4, 2016 5:52 pm

The craze of the iPhone 7 and 7 Plus a few weeks ago and the flood of memes about it having no headphone jack is basically all everyone was talking about in September. Surprisingly though, iOS 10 seems to be where the actual rich changes are in Apple’s products. iOS 10 is good, a nice upgrade for those who are obsessed with more flash and less function. There is a huge amount updated, and I won’t go through all  of it, but here are my impressions of having it so far.

THE GOOD:

It is fun. It is entertaining. Siri is smarter and opens programs for you or just does what you ask with certain apps, like finding you directions to the closest gas station. The iMessanger has been greatly overhauled, almost too much for my blood. Maybe it is my age, but I don’t need ALL these features. You can draw with cool effects, send messages that slam into the conversation and search all sorts of gifs to send friends. Don’t get me wrong, I love all these things, but it getting to be too much. Like how often am I going to honestly send a neon drawn picture with kissy lips appearing all over it? The change in shape and design of alert banners seemed odd and unnecessary at first, but I’ve gotten used to them, they just hover for too long in my opinion. One of the best, and my favorite, things is that I can finally delete a lot of iPhone permanent apps that weren’t previously aloud to be deleted, so I am very happy about that. Also the quick menu that you get from the bottom is a little weird, but not terrible, the fact that you can swipe to media that is being played and change it there is pretty cool, but still slightly cumbersome.

 

THE BAD:

It is getting messy. I had to download ANOTHER app called Home which I automatically put into my group of dumb apps that I don’t need and just take up space. The messenger keyboard will sometimes get stuck sideways making me have to restart the app just to fix it so I can type. When I double click the home button, the app will shift sideways and I can’t select, scroll or close them, and so I have to lock my phone and unlock it to  get it to function correctly again.

 

THE USELESS:

Like I was saying in the “Good” section, the messenger is getting too cluttered, and has too much different functions that I am never going to use on a daily basis. The forced install app Home, which connects itself to you home system of light, TV or other electronics), seems cool, but if you don’t have everything already set up and have Apps or remotes for those things, you won’t ever need it. I guess it can be helpful because who really wants to get up to turn off lights with a light switch anymore? That was so last millennium (heavy sarcasm).  The new left swipe list of new and alerts looks unorganized and pointless to have, just like before, but now it is slightly different and I have no desire to learn how to use it effectively.

 

All in all getting the update isn’t that bad, it just has so much hullabaloo and so many bugs that it is kind of annoying. It is fun for sure, it really is, but it feels like a stupid app you download for fun because your friends did, but unfortunately it is permanently here and essential to the future function of you Apple device. I hope for some good updates and cleaning of iOS 10, because it does have the potential to be something great.

TWO DOOR CINEMA CLUB IS THE SHAMROCK MUSIC KING
September 29, 2016 5:27 pm

Two Door Cinema Club are an Irish indie rock trio that seemingly just want to dance. Alex Trimble, Sam Halliday, and Kevin Baird make music that instantly plug ear-worms to your cerebellum with instant infection. Their music videos are also as infectious, showcasing the band’s quirky, yet honest, sense of humor. Forming in 2007, while the lads were still in school, they have since released two full-length albums, with one on the way in October, and a handful of EP’s. They have gained a substantial following in their home country of Ireland, and are doing the same in the US with incessant touring and festival appearances.

Prior to forming Two Door Cinema Club, the trio performed as a band in their teenage years dubbed “Life Without Rory”. The band, released 3 demos,  finished dead last in local competitions, and decided to move on to greener pastures. The trio came back together to form another band without a full-time drummer and settled on the name Two Door Cinema Club after Sam Halliday’s mispronunciation of the local movie theater the Tudor Cinema.

Two Door Cinema Club released an EP in 2009 titled Four Words to Stand On that gained a little interest. Their first full-length record, Tourist History, was released in 2010 with the band finding their niche. Tourist History went on to be selected for the Choice Music Prize for Irish Album of the Year. Follow-up album Beacon was released 3 years later to similar reaction pushing the band to release a four-part tour documentary entitled What We See. An EP, Changing of the Seasons, came in 2013 coupled with a jump to Parlophone Records in 2015. Their third proper album, Gameshowand first for Parlophone, is slated for release in October, 2016.

Two Door Cinema Club will be featured at the Austin City Limits Festival on October 1st, and will continue touring North America through November 2016.