Pink Floyd

HOW MANY OF THESE ICONIC BANDS SHIRTS ARE WORTH THEIR HYPE?
September 30, 2016 2:20 am

The culture surrounding band shirts is so fucking masturbatorial. I know this first hand, since I own roughly 20-30 of them. As someone who spends far too much time obsessing over both music and sports, I can’t help but notice the similar satisfaction each respective fan base takes in showing off how passionate with specific articles of clothing. For sports fans, it’s a jersey. For music fans, it’s a band shirt. I’ve seen 20 minute long interactions heavy on mutual admiration over both of these items at a game or a concert countless times. It’s like a secret handshake for these people.

Again, I am part of this very snobbish problem. I proudly trot out my Darko Milicic jersey as often as possible in public. People need to know that I know about the Human Victory Cigar. And as a teen, I found a rinky dink website that allowed me to slap a .jpg of a Simpsonized Sonic Youth onto a t-shirt that they then gladly pressed for me. Nothing gives me greater satisfaction than when somebody jealously squees “where did you get that?!?!” at me. Might be why all my relationships never last over a month, who knows.

Because this is the type of monster I am, my standards for this subset of fashion is absurdly high. Specifically band tees, since they’re the more commonly worn item. Some are perfect. Others are probably more useful as food for fire. Others, however, reach a rare air of ubiquity that transcend music taste altogether. The design strikes such a cord that people who might not have ever heard a song by a band will proudly wear the shirt.

Whether or not that’s a bad thing is an entirely different discussion that really only means anything to the most annoying realms of my personality. What I want to try to figure out is how many of these iconic shirts are actually worth the hubbub from a design standpoint. Are these shirts worth their hype? Well, let me put my Hat of Objective Judgement on and discuss.

 

1) Johnny Cash’s Middle Finger Shirt

 

What a rebel! Boy, oh boy, Johnny Cash was sure a troublemaker back in his day, wasn’t he? A middle finger? My word, what a provocateur! The sheer amount of rebellion it takes to pose in front of a camera with all but Mr. Middle Finger (the most important of all fingers) folded down is unheard of. Not enough artists flip off photographers nowadays! That’s what’s wrong with today’s music. Man, we need more dirtbags like Johnny around, man. Ugh, I’m done pretending that this shirt is cool in any way or that Johnny Cash makes enjoyable music.

NOT WORTH THE HYPE.

 

2) Joy Division’s Unknown Pleasures Shirt

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While there’ve been a myriad of spins on the original design recently, from Wu-Tang to Mickey Mouse, oddly enough, nothing can beat the original. It’s a beautifully simplistic design that’s gotten more and more popular over the years. I can never see myself getting tired of seeing it.

WORTH THE HYPE

 

3) Metallica’s Master of Puppets Shirt

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Considering that the breed of YouTube commenter most likely to post a homophobic slur on a Justin Bieber video tends to have a Heavy Metal album cover as their their picture, it tickled me beyond belief when the Beebz started incorporating those bands’ shirts into his daily fashion. Metallica, Slayer, Iron Maiden, all of them Biebered. He even copied Iron Maiden’s font for his latest tour’s merch. The trend’s caught on like wildfire. These shirts are all over places like Urban Outfitters and H&M now. It’s kind of impossible to explain exactly how or why it happened, but I’m so over the moon with the fact that it did.

WORTH THE HYPE

 

4) Rolling Stones Tongue Shirt

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Look at this stupid fucking logo. This dumb, overly glossy piece of pop-art trash is going to wind up outliving each member of the Rolling Stones themselves. It remains a mystery to me why anyone would want to have some hornily panting tongue smack dab on the middle of their chest, but this is the America that we live in today.

NOT WORTH THE HYPE

 

5) Black Flag Logo Shirt

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Even more than the Unknown Pleasures tee, this one has had so many parodies to it. And it’s more minimal than Joy Division’s design, too! It’s just the band’s name with a bunch of skinny rectangles sloppily lined up. There’s no reason why this should be so exceptional, but it is. It’s basically the shirt every Punk band wishes they could call their own.

WORTH THE HYPE

 

6) Pink Floyd’s Dark Side Of The Moon

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Listen, I don’t really want to spend too much time on this one. It’s fine, okay? I get it, rainbow on one end, no rainbow on the other. Very symbolic. Is symbolic the right word to use there? I really don’t care enough. For me, this shirt screams ‘Guy In His 40s Who Buys All His Graphic Tees At The Gap’.

IT’S FINE, WHO CARES.

 

7) RUN-DMC Shirt

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For some odd reason, Run-DMC is one of the few rap outfits that currently have a truly exception shirt to call their own. I’m not really sure why that’s been the case, but considering how awesome the merch from guys like Kanye, Drake and Tyler, The Creator have looked the past few years, that should be changing real soon. For now, though, this one remains the genre’s gold standard.

WORTH THE HYPE

 

8) Led Zeppelin’s Naked Angel Shirt

Something about a naked angel who appears to be writhing in agony just seems to resonate with a bunch of folks. Whenever I see this dumb angel, I just want to shout “GET OVER IT, STUPID ANGEL!!!” at it. Then I realize I’d be shouting this at someone’s chest and that isn’t really cool. The odd thing is, I do get it on some strange level. Like, when I see this angel being all histrionic, it does sort of epitomize the bombast of Led Zeppelin’s music. No part of me ever wants to wear this shirt, but I understand the appeal.

MEDIOCRE ENOUGH TO BE WORTHY OF SOME HYPE

 

9) Misfits Logo Shirt

 

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Years before I heard a single note come out of Glenn Danzig’s mouth, I was introduced to this shirt. I had no idea if Misfits was a band, a clothing brand, or some horror movie I’ve never seen before. The imagery always stuck with me, though. Once I finally started listening to this legendary band, I was obviously more than pleased, but I still think what Misfits is most known for is this fucking shirt. It’s amazing. I honestly wouldn’t be surprised if this shirt’s outsold their entire catalogue 10 times over. Everybody has this shirt. And with good reason, too.

WORTH THE HYPE.

 

Aaaaand that’ll be it for this installment of ‘Is This Band Shirt Worth The Hype?’ As you can see, the color black reigns supreme in the iconic band shirt world. Or maybe it doesn’t, and that’s simply a byproduct of my darkness bias coming through. There were a few other shirts I was considering adding to this list, but no other seemed as much of a no-brainer as these did. Perhaps a sequel is in order. 

A NIGHT OF CHOCOLATE AND CHEVAL
July 28, 2016 6:50 pm

When walking into any small time club, you can expect some loud popular music while waiting for a band to go up on stage to have fun and play some cool tunes. But last night at U Street Music Hall in Washington DC, a small club turned into a musical hot box.

20427_620380401430800_4122135562059143816_nStarting the night with some cool DJ work from local artist Dirty Chocolate, he pumped out some of his own music while playing club hits with elegantly twisted remixes. From metropolitan city Gaithersburg, Maryland, he taught himself how to make music while going deep into the internet. From humble beginnings (graduating the same high school that I did) to sick clubs, Emmanuel Osemene has a strong future ahead of him. I had a minute to chat with him about his experiences with music after the show:

I’ve always been a huge fan of music…I love discovering music and finding people who push boundaries. It’s cool to see talented people use their imagination to make music better. You wouldn’t hear it in my music but Pharrel, Timberland, Daft Punk, Juicy J, Kanye West, Justice, Radiohead, Pink Floyd, and Tame Impala have been some of my biggest influences.

After him, the crowd turned around to the main stage and there were so many switchboards and keyboards that I honestly had no idea what to expect. Then the band started to play and I was immediately blown away as the four of them played musical hacky sack, taking turns on solos and bits of the song while perfectly supporting each other.

Their name is Club Cheval, they live in Paris, France are in the states for a bit to tour. Theyed play song after song of fantastic electronic sound and mixing with a superb drummer in the back who ended the show with the gnarliest drum bit I had ever heard. I had a chance to talk to Panteros666 (the drummer) right after their set list.

Tell us about yourselves…

We live in Paris, but we we are from a little city called Lille…We have a lot of influences there from Britian and Belgium so we have that kind of culture where we just mix everything together.

Where do you get you unique sound from?

Literally everywhere. We don’t put any genres on any pedestal and have no hierarchy with our music. We listen to stuff like Hip-Hop, Balie Funk from Brazil, Slow Jam and experimental stuff. I’m into trance and lots of other stuff. Each one of us has our own certain sound and we like to mix it to create something different. It doesn’t really work well in France though, so that’s why we’re here, we can relate better with the people. Sometime we are just too powerful for them and that’s probably why we are bigger here.

How did you guys meet?

To cut a long story short, we were all doing our high level studies which actually including political sciences, sound engineering and other areas. But we got together in our small city and were really obsessed with making a new breed of electronic music. We did well in our little city and then moved to Paris and met a lot of people and now were here playing music.

It was amazing how humble and relaxed Dirty Chocolate and Club Cheval were. It was a fantastic show, great start and great end with happily ringing ears all the way home. Check out more Dirty Chocolate here and Club Cheval’s tour dates here and new album here.

BEST OF BONNAROO 2016
June 17, 2016 5:41 pm

So Bonnaroo is over and we’ve returned to our normal lives (sad). We’ve showered in private bathrooms, slept in real beds for more than 4 hours at a time, and we finally feel like real human beings again (happy). We never want to see drugs or alcohol of any kind ever again (joking), and we’re so damn excited to tell you and everyone we know about our experiences (serious). Here are our eleven favorite acts at Bonnaroo 2016 (because ten just isn’t enough):

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Pearl Jam at Bonnaroo Photo Cred: Jeff Kravitz

11: Death Cab for Cutie played an afternoon show on the last day of the festival, in 90° heat on the largest and hottest stage, yet they still had the entire audience hanging on every note, word, and emotion. Several people around me were crying unapologetically (not that they needed to apologize, crying is cool and all, but… well, it was unsettling at the time). The Seattle rockers proved that over a decade of mainstream success has not hampered their drive for a killer show, and the group’s sizable catalog had the tens of thousands of audience members clamoring for more. If your biggest problem is that your set is too short to fit all your good songs, you’re doing alright. -IA

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Fidlar at Bonnaroo Photo cred: FilmMagic

10:Band of Horses used this opportunity to showcase their new album Why Are You Ok?, released just a few days earlier. Consistently excellent performers, the band struck a careful balance between this new material and the earlier hits so beloved by the scorched Saturday afternoon crowd. Their anticipation was palpable, as it was clear many in the audience considered Band of Horses the main draw of the festival. Perhaps rightly so, since “Is There A Ghost” and “The Funeral” are two of the most epic live numbers around, screaming with an intensity impossible to replicate in a recording. If you haven’t yet seen Band of Horses live, you should. -IA 

9: Kurt Vile was obviously drunk on stage, drinking and spilling from several cans of Modelo throughout the show, yet he pulled off one of the most casually transcendent performances I’d ever seen. This guy is a seriously awesome guitarist, able to riff passionate, musically-relevant licks without seeming to think too hard. His irreverent stage banter paired well with his loose and mumbly singing, emphasizing his unique take-it-or-leave-it style of not giving a fuck. Before his last song he told everybody he’d be in the pit at the Ween show later, if anyone wanted to say hi. So he was having a pretty good time, it seemed, and it came through in the music. Neat! -IA/AS

8: Third Eye Blind has been doing this for a long time. Their thoroughly-attended tent show was basically a giant sing-along party/crowd-surfing exhibition. Seriously, there was almost too much crowd-surfing, to the point that Stephen Jenkins got involved and jumped into the crowd himself (which was totally awesome but also pretty dangerous for the 51 year-old star). There was one guy in particular who crowd surfed for about 20 minutes straight. We were quite jealous of the look on his face as he floated atop our heads, pumping his fists in the air along to the chorus of “Semi-Charmed Life.” The band that helped define snake person adolescence knew their audience and performed their classics diligently, even going out of their way to change plans and play “Motorcycle Drive By” because some fans they met on the way in (“dressed only in flowers and body paint”) complained that they don’t play enough old stuff. The San Francisco natives excel at developing this sort of audience camaraderie, reminding us frequently that love conquers hate and that we’re all in this together. Fuckin’ hippies, gotta love ’em. – IA/AS

7: Big Grams is half Big Boi (from Outkast) and half Phantogram (whose new album is released today). They played to a packed tent starting around 2AM, and people were pretty much losing their shit. It was awesome. Their “Ms Jackson/Mouthful of Diamonds” mashup was especially mind-blowing, with the entire crowd getting in on every single”I am for reeeal.” Unfortunately, their “The Way You Move” fell flat when mashed with “Don’t Move,” as the crowd expected Outkast’s chorus instead of Phantogram’s and was audibly crestfallen. So the collaboration still needs some tinkering, but both artists’ electric stage-presences combined into a whirlwind of manic energy, fueled by the late night party and contagious beats. Let’s hope for a lasting partnership between these disparate groups. – IA/AS

haim5 1/2: HAIM was unreal. Their catchy tunes have always tickled my ickle, but I DRASTICALLY underestimated how good their live show would be. Este, Danielle and Alana Haim are nothing short of Rock Stars. There is no one of the three carrying the other two, nor is there one that is holding the others back. Add their frenetic, happy energy, and even an impending thunderstorm couldn’t bring the show down. The fact that those three women came from the same vagina is fucking bonkers. – AS

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51/2: FIDLAR can’t be placed above or below Haim, as they are completely different things. But they were equally awesome. The So-Cal surf punks delivered exactly what fans were expecting – a super-high energy show filled with screaming, jumping, and shredding. The only song they didn’t play that I wanted to hear was “Awkward,” but they more than made up for it by cramming basically every other jam they have into their set. -AS

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Misterwives at Bonnaroo 2016 Photo Cred: Jeff Kravitz

4: MisterWives basically held a three ring circus on the main stage, with the bassist and guitarist doing cartwheels and comedy between (and sometimes during) songs, and singer Mandy Lee running around stage stealing everybody’s heart. Many, many people shouted offerings of love and/or marriage to her or her smiling jumbotron projection. Combine that with their anthemic synth-pop and I couldn’t keep my jaw off the floor. The performance was simply on another level, which was both unexpected incredibly inspiring. Leaving the show, I couldn’t help but notice a similar expression on a lot of people’s faces: the excited look of someone who just discovered their new favorite band. -IA

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Pearl Jam at Bonnaroo Photo Cred: Jeff Kravitz

3:Pearl Jam was fucking unbelievable. There’s just no other way to say it. Eddie Vedder has a very real physical and spiritual likeness to Jesus Christ, with his grungy hippie energy and otherworldly, almost godly control over the crowd. After the first song, all of Pearl Jam’s legendary success made complete sense. They played everything a little bit up-tempo, which was totally awesome on energetic hits like “Evenflow” and “Betterman.” Highlights include a political statement about transgender bathrooms in Tennessee (looking at you TN Rep. Susan Lynn), a heart-wrenching rendition of Pink Floyd‘s “Comfortably Numb” (with fireworks!), and every single one of Mike McCready’s insane guitar solos. Watching him perform (and he really sells it), it’s as if his epic shredding already exists out in the world and McCready is just plucking it out of thin air, jamming it through his fingers lickety-split and into his guitar for us all to hear. After executing perhaps the fastest, most intricate guitar performance at the festival (perhaps), McCready fell to the floor in a heap of emotion, relinquishing control back to Vedder’s drastic wailing. Not bad for a pair of 50 year olds. –IA

I’m just stepping in to wholeheartedly agree with Ian here. A lot people were skeptical about Pearl Jam’s place as a headliner, but I think anyone with a remote appreciation for rock n’ roll would have changed their mind at that show. They are simply the best straight-ahead rock band I’ve ever seen. -AS

2: Tame Impala is today’s Pink Floyd. The Australian superstars took their unique brand of washy, psychedelic arena-rock to Friday’s much anticipated 1-3 AM time slot, and holy shit was it incredible. The lawn was stuffed with neon glow-sticks and anthropomorphic totems as far as the eye could see. The audio quality was remarkable, as the band sounded almost exactly as they do in recordings, and the technical staff was on point, with lighting and confetti blowing minds for days. The only draw-back of the transcendent performance was its length; many fans hoped the band might play til sunrise, or at least the set’s full two-hours, but Kevin Parker politely thanked the audience and left the stage about a half an hour before scheduled. So their timing might have disappointed some, but the experience remains worthy of our #2 slot. The fact that it directly followed our #1 band was just gravy, and the one-two punch of seeing them back to back was nothing short of remarkable. – IA/AS

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LCD Soundsystem at Bonnaroo 2016 Photo Cred: Tim Mosenfelder

1: LCD Soundsystem is probably my favorite band of all time. When they announced their reunion in December, my brain said “They are going to play at Roo and I. WILL. NOT. MISS. IT.” My only hesitation was that I was afraid I would cry to death upon seeing them. My expectations were met. Although I’m still alive, they delivered absolutely stellar renditions of James Murphy’s creations, and looked damn good doing it. Murphy did not come across as the eccentric that he is often made out to be. Rather he seemed damn cool, delivering his wry lyrics with passion. The band seemed happy to be back, and I could have stood and watched them play for years. – AS

Other notable activity: BØRNS headlined Thursday night to a tremendous crowd, highlighted by back-to-back covers of Arcade Fire (“Rebellion”) and David Bowie (“Heroes”). Chvrches seemed unused to such a huge (main) stage, but a guest appearance from Haley Williams of Paramore more than made up for it. John Mayer led The Dead (as in ‘Grateful’) on a four-hour Sunday night set, and holy shit is he still the best guitarist alive today. M83 and Two Door Cinema Club both played solid shows on the Which Stage. Several up-and-coming artists gave excellent performances as well, especially Waxahatchee, Jarryd James, Hundred Waters, and Rayland Baxter. Baxter frisbeed a red felt peace sign into the crowd and Ian caught it with his very own hand, which was incredible. Macklemore’s set was interrupted for about an hour by a righteous thunderstorm, during which time Bonnaroo officials ordered fans into their cars for safety. Our friend Molly Rocket brought us some sandwiches while we were waiting.

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Written by Ian Anderson and Atticus Swartwood

SERF-ING WITH JONS
June 6, 2016 11:57 am

When there’s a will, there’s a way. Jons is celebrating the May 29th release of their debut album Serfs of Today. It was recorded on iPhone, and led to the band’s signing with Solitaire Recordings. The album was so good, that Solitaire decided to release it as-is.

The Victoria (Canada, not Australia) band is also about to embark on 29-date tour, including a show supporting fellow Canadian Alex Calder. And, believe it or not, Jons is already working on a follow-up album.

ATYPICAL SOUNDS spoke with frontman Patrick Rendell on how all of this craziness came to be.

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Congratulations on your new album and your signing to Solitaire. What would you like people to know about your band?

We’ve all been living on Vancouver Island for 5 or 6 years. The band started out with Logan, David, and me making music casually and then the band was fully formed when Logan and Keenan met painting houses.

I’ve heard your album Serfs of Today was recorded on iPhone and cassette. Is that true?

Yeah, that is partly true. There was a period where we didn’t really have the means to record drums (and didn’t really know how to either) and so David would play drums on an app on his iPhone directly into the tape machine. For “Orcachief” I played floor tom and snare while David played ride symbol on his iPhone to get the effect of a full kit.

You’re getting ready for a 29-date tour around Canada. Is this your first tour of that size?

It’s been a lot of work setting up the tour and it makes it harder that we haven’t actually done this before. The longest tour we’ve done so far is to Calgary and back so this is a completely different ballgame.

What are your favorite items to pick up at Tim Horton’s to keep you going?

One good way to prepare is to abstain from Hortons’ until you leave so you have a fresh palette. Keenan’s favourite donut is the Old Fashioned.

You will also be performing a show with Alex Calder on your tour. How did you get involved with him?

Bands in Canada are very interconnected and chances are you always know someone who knows someone. In this case our friends Freak Heat Waves were already playing the show and we were going to be in Montreal at the same time. Logan’s brother also plays in Alex’s band so it just worked out.

You seem like a band that would know a lot about psychedelic music. Are there any albums you’d recommend to someone looking to expand their record collection?

Some albums we’d recommend checking out are A Lovely Sight by Pisces, God Bless Tiny Tim by Tiny Tim, Playback by The Appletree Theatre, July’s self titled album and Release of an Oath by Electric Prunes. Also [Pink Floyd album] The Piper at the Gates of Dawn and Friends by The Beach Boys are staples.

Are you working on a followup for Serfs of Today?

We’ve actually been working on our followup to Serfs of Today for coming up on two years now. Dave picked up a Tascam 388 and has become really good with it so it’s a noticeable step up in fidelity. Having Keenan play on the record has been a big deal too. He didn’t play on Serfs of Today and he’s an incredible musician. His playing on the tracks has had a huge effect on our recordings. We’ve been working on it for a very long time and we’ve each grown quite a bit individually as musicians in the process.

Will you be be doing any recording with iPhones, as in Serfs of Today?

No iPhones were used in the making of the record.

I think you’re the first band I’ve interviewed from Victoria. What’s the music scene like there?

It’s really great. It’s a small city but for the size there’s tons of really great bands. Sometimes people pass it by on tour because they don’t want to make the trip to the island but there’s some very cool stuff going on here. I’d highly recommend coming here and checking it out if you get the chance.

Which venues in Victoria are your favorite for seeing live music?

Some of the classic spots to see bands play are Logan’s and the Copper Owl. There’s also a bunch of nightclubs and a thriving scene of DIY spots that are really great to play at.

Are there any local bands you feel deserve more attention?

Some bands you should check out are Privacy, Pinner, Smoke Eaters, Psychosomatic Itch and Fountain. There’s also a small local tape label called Gary Cassettes and everything they’ve put out has been really sweet.

What will you be up to after your tour?

After tour we’re gonna focus on new music. After working on the same songs for so long we’re really stoked to get started on something new.

Will you be performing at any music festivals?

We’re playing at Sled Island in Calgary but thats our only festival this summer.