pop

EXPRESS YOUR PINEAPPLE: REMINISCING THE SOUNDTRACK
October 28, 2016 4:20 am

So, here’s the thing. I’m supposed to write a serious music review, and I totally could, except it’s 2AM on a Friday and I’m watching Pineapple Express on TNT (We Know Drama). I should really be sleeping. That’s what a sensible person would be doing. They’d be sleeping there all numbly-bumbly thinking how sweet it is being asleep safe and sound right as rain, all cozied up gaining valuable, usable energy for the strenuous day that may or may not be ahead of them, I don’t know, I don’t know who we’re talking about. But I cherish that thought, that sleepy paradise. I want it so bad. Dammit if I could only just produce some content first lickety split. And also dammit because this is a great movie. I will, without a doubt, watch this entire thing right now instead of sleeping. Can’t leave Dale and Saul hanging.

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This soundtrack too though, this is a work of art. This is the real winner, all the way through til the end. This is a content goldmine staring me square in the face screaming “Hey what’s up let me just turn your whole world upside down for a second here thanks.” I’ve been thinking about this all wrong, what am I doing?! Well I guess about to review this movie soundtrack, that’s what I’m doing. Buckle up.

Okay first we have Paper Planes, duh. Gotta be first on the list. M.I.A. blew up that year, not saying all because of this movie, but hey I’m not saying otherwise neither. That was a great year for everybody. Stay woke. The song isn’t actually in the movie, but I mean everyone remembers that trailer, right? Fuck this is a good movie.

The real headliner is Electric Avenue from Dale’s sweet opening “you’ve been served” montage. Instant classic. The scene, not the song. It’s an old song. Eddy Grant was already “classic.” But the movie really brought him to the forefront, at least for me, and I’ll always be thankful for that. We need to focus on the good things in life. “Out in the streets!” That’s what he says in the song, and it’s pretty good, because it’s a song about a street. Pure genius.

Next up is the most dopety-dope song ever, and by “next” I don’t mean chronologically next, but rather in terms of my vaunted quality-assessment hierarchy, determined through my capacity as self-proclaimed official movie-soundtrack reviewer. I’m talking of course about Poison by Bel Biv Devoe, and if you don’t know that then you don’t know jack. Wake up. Your world is not as it seems. What a seriously good song, mad props to Pineapple Express. They really nailed it with this whole soundtrack. Jeez Louise!

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Uh oh, look out, we got a piping hot track coming fresh out the oven–Public Enemy‘s Lost At Birth. I like this scene because he says “melon farmers,” which is what they say instead of motherfuckers on TNT (We Know Drama). You’re not allowed to swear on television. Wow, Public Enemy really ties this whole scene together. Somebody did their job real good when they picked that song for this scene. What a sick nasty awesome so fucking sick movie soundtrack.

Damn there’s a lotta reggae on this mix. Wanted Dread and Alive (see what they did there? With the dread?! Cuz they have dreads!), a Bob Marley deep cut (well obviously), a reeeal laid-back Ring Of Fire cover (like Johnny Cash but way chiller). See, the movie is named after a kind of marijuana from the movie, and there’s a lot of people who sometimes associate reggae music with marijuana usage for some reason. So when a movie gets made about a hairy Mary Jane strain, they’re gonna mix up a little reggae in there. That’s just the world we live in. We didn’t choose it, we were born into it. Forced from the warmths of prebirth out into the cruel, unforgiving hellscape we inhabit every waking hour of our lives. I mean it’s just monstrous out here.

Well, that’s all the time we have for today. The movie is over so I’ve now fully exhausted my content resource. Thanks to all who participated, especially you still reading this and also the good people over at TNT (We Know Drama). Let it be known that this is a can’t-miss, won’t-disappoint, doesn’t-even-flinch-as-it-knocks-you-out-of-your-socks kinda flick, and if you haven’t seen it, well why did you read this entire review of a soundtrack for a movie you’ve never seen? Yeah, that’s what I thought, you’ve definitely seen Pineapple Express. It has a pretty awesome soundtrack. I know, right? Cool, glad we’re on the same page. Let’s be sure to always stay positive in the face of any near-universal suffering we might encounter on a regular basis. Okay bye!

THE BLACK PARADE IS BACK IN A NEW WAY
October 19, 2016 11:23 am

“When I was a young boy, my father took me to the city, to see a marching band…”

This line of lyric is so universally known by the rock world that no one can hear this song and not feel some strong attachment to it. My Chemical Romance‘s immersive album The Black Parade was part epic, part tragedy filled with soaring highs and wallowing lows. Rock Sound magazine is celebrating the 10th anniversary of this legendary album with the story of the creation and life of The Black Parade and an incredible amount of content.

9390352-368-k802450A decade is a long time, in 2006, the Playstation 3 and Nintendo Wii came out, Casino Royal and Cars debuted, Justin Timberlake was bringing “Sexyback, Shakira’s hips didn’t lie and Daniel Powter was still having his bad days. This was a year of strong movement in pop culture and punk rock was being redefined. My Chemical Romance way making one of the biggest movements because of their raw style of music, fashion and tone in their genre defining The Black Parade.

Rock Sound’s October edition is an essential for any punk, emo, rock or ska fan. There is a beautifully told story of MCR’s creative process of The Black Parade and its life and impact it had on the band. It is filled with a lot of funny small stories and interesting insights on why the band took a break and how they dealt with all of these changes.

However, the part of this edition that seems more interesting and gripping is the cover album that accompanies the issue. Rock Sound gathered a grand collection of artists deep in the indie rock world to cover each song on The Black Parade giving each track new life while saluting them with praise and honor at the same time. From Escape the Fate‘s similar and powerful rendition of “Dead!” to Twenty One Pilot‘s heart breaking performance of Cancer and Against the Current‘s different take on Teenagers, this album brings new life to The Black Parade while reminding you how truly amazing this album was and still is.

I would recommend anyone and everyone who is a fan of MCR, The Black Parade, punk, rock, indie, ska, heavy metal or good music in general to pick up this epic issue of Rock Sound with the additional tribute album. MCR is also celebrating this 10th anniversary with a special deluxe edition that any fan NEEDS to get, you can’t miss this. The Black Parade is amazing in both forms and may their music and memory carry on.

MELO-X KNOWS WHAT IT TAKES TO CATCH BEYONCE’S ATTENTION
October 7, 2016 12:58 pm

MeLo-X  is traveling at warp speed. Pedal to the metal. The Brooklyn-based multimedia artist has a boundless artistic vision that rejects the conventional division lines between sight and sound.

Although best known for his collaborations with Beyoncé—the free-spirited rapper and hip-hop producer has also directed and scored films, designed art installations that they have at the MoMA and Guggenheim, is a trending fashion tastemaker and an advocate for staying grounded and true to your roots.

It would be difficult to find an artist in Brooklyn with a more varied palette than MeLo-X, and that’s saying a lot.

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The self-proclaimed Renaissance man—born Sean Rhoden—got his first big break in 2014 following the release of Beyoncé’s self-titled surprise album. MeLo-X released an unauthorized collection of remixes titled Yoncé-X EP  which when picked up speed and went viral, eventually catching the attention of Queen B herself.

And there’s no one more powerful, more influential in the music biz than Beyoncé.

Pop artists are often treated as gods living among mortals—transcending human existence and amassing devout worship. If ever there was a pop artist that fits—if not demands this treatment from her fans—it would be Beyoncé Knowles.

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So when MeLo-X was asked to co-direct the accompanying film scores to Beyoncé and Jay Z’s On the Run Tour, he jumped at the opportunity and didn’t look back.

Soon he was flying out to LA to help Beyoncé co-write and co-produce tracks “Hold Up” and “Sorry” off her 2016 album Lemonade.

Keep in mind, producing a Beyoncé album isn’t a typical of the industry. Rather, to visualize the scale of such a project, it’s easier to liken the undertaking to that of a Hollywood blockbuster—dozens of writers and producers converge on each track to produce the most immaculate, pungent production possible. But that’s exactly where MeLo-X excels—collaboration.

His sparse productions, often centered around spaced-out percolating frequencies, give a dark, spatial depth to the music he touches—his voice is understated yet distinct at the same time.

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Both his overall aesthetic as well as his affinity for collaboration are in full view on his 2015 solo CURATE EP which features music from buzzing hip-hop artists Little SimzKilo Kish, and Raury—he also released an interactive app to accompany the EP allowing fans to create their own remixes.

2016 has been nothing short of a whirlwind for MeLo-X. He hit the year off with another remix collection, titled Adele-X, centering yet again on the music of a pop music enigma as his subject.

MeLo-X  also recently released a track with glitch-centric electronic artist Machinedrum called “Angel Voice”—as well as helping produce track “Cleopatra” for up-and-comer Queens-via-Bengal hip-hop buzz magnet Anik Khan.  While it might be impossible to tell what MeLo-X will take on next, it’s certain he won’t be slowing down his pace anytime soon.

VIBBLE: SMALL START WITH GREAT POTENTIAL
September 28, 2016 11:18 am

Vibble, for all intensive purposes, is your personal mix board. With transitions, samples, and faders, Vibble gives you the sense of being a DJ while cutting out the complications. It is stylistic, easy and fun to play with, a for sure download for someone who asks always wants the AUX cord in the car. However, the app is pretty minimal and would need a lot of updates and expansions to amount to something of real substance.

The App runs with Sound Cloud. You can search Sound Cloud through this app very smoothly and very fast and add the song you want to a simple playlist. You can play a number of different samples right over the tracks adding air horns, drum beats, and vinyl scratches to whatever you like on Sound Cloud.

I love Sound Cloud as much as the next person, but the fact that this app only uses Sound Cloud is pretty limiting. Even artists like Flume or Porter Robinson which have a strong presence there, don’t show up with any music inside the app. So unless you know a whole mess of small time artists off the top of your head, it’ll be difficult finding anything worth mixing and fooling with. I’m not a pro with this app either, so I might be missing how to use certain parts like saving music playlists or bookmarking artists, but as of now I haven’t found a way to retain any mixes or set-lists that I’ve made.

With all this said, it doesn’t mean the app is great in concept. The accessible fading and samples are refreshing, the design of the app is bright and fun, and the potential for greatness is there. I can’t wait to see this app a couple of months from now, it’ll be the new way to listen to your Sound Cloud favorites.

 

iPHONE 7 AND iPHONE 7 PLUS SWOOP IN WITH A LOAD OF NEW SPECS
September 7, 2016 6:35 pm

 

It’s that time of the year again, time for Apple to find a new way to take millions of dollars from the world. The iPhone 7 and the iPhone 7 Plus were announced and everyone is ready to throw these new products in the toilet. No, not because they are terrible, but with a list of new specs and upgrades, the iPhone 7 and 7 Plus can brave even the roughest of storms.

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The newest and most important updates for both of them are as follows:

1) Water Resistant! If you leave it in a fish tank for a few days, I don’t think it will work but it can withstand a drop in the wiz-palace, the pool or a very rainy day.

2) The new Home Button will no longer be a click or touch base, but a hard touch to better distinguish between brushing over it and actually pressing it.

3) No Headphone Jack! This is a double edged sword. It promotes bluetooth use which is nice…sometimes. New AirPods wirless head phones will be coming in late October, but for now you’ll be using standard Bluetooth or an adapter for the lighting charge port that will allow you to plug in normal headphones.

4) A 12 Mega-Pixel Camera is pretty big to fit on a cell phone, but they do it somehow. Easily beats all other cameras on previous iPhones.

5) The new Black design will be the new fancy color only available for the 128G and 256G models while the other colors upon release will be Rose-Gold, Gold, Silver and Matte Black.

6) The New A10 processor will make your iPhone 5 look like it was from the 90’s.

7) Not an exclusive to the iPhone 7 or 7 Plus, iOS 10 will be arriving the 13th, so be prepared for a big update for all your other devices.

 

There are a vast amount of other upgrades in it that you can check out here. The iPhone 7 Plus will have a long lasting battery, larger screen and include a second out facing camera that will allow 2x analog zoom (which actually seems pretty awesome).

The iPhone 7 will be priced at $649 with 32G, $749 with 128G, and $849 with 256G of storage. The iPhone 7 Plus is obviously at a higher price because of the extra things: $769 with 32G, $869 with 128G, and $969 with 256G.

Pre-Orders will be available on the 9th and it will be released on the 16th of this month. Are you willing to shell out close to a thousand dollars for the newest, biggest and baddest iPhone? Will you turn in your old one and upgrade it that you’ll still have some money for food and rent this month? Let us know what you’ll be doing at @ATYPICALSOUNDS on Twitter.

LINDSEY STIRLING: BRAVERY IS ENOUGH
September 1, 2016 6:35 pm

 

Lindsey Stirling was a sensation and novelty act years ago, with dancing, dubstep and epic violin solos she broke the mold. Being one part of EDM dubstep, one part classical and one part pop, Lindsey has no fear to be who she truly is. However, like most impressive and creative acts, they can be one hit wonders and terribly repetitive after awhile, lacking creativity or diversity.

I am happy to say, Lindsey Stirling is not like those others and she shows her powerful ability and innovation in her new album Brave Enough.

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I actually saw Lindsey Stirling years ago in a quiet auditorium in at the Visitors Center of the Mormon Temple in Washington DC. She played Shatter Me with such beauty and grace being only accompanied by a man with a drum box and a piano. Her passion was unreal and the whole audience was in awe afterwards. If you ever get the chance to see her, I absolutely recommend it.

Brave Enough is a beautiful and strong example of her abilities to collaborate with others while still emphasizing the special talents of each artist. From Rivers Cuomo (Weezer) to Christina Perri and ZZ Ward to Lecare, Brave Enough is so packed full of artists it’s almost hard to keep track of them all. It is great to see her fame being put to good use bringing them all together in one cohesive piece.

Her strongest point in her music is also a bit of a weakness though. Fast paced violin work mixed with dubstep and drums is a wonderful mix and I love it even more in this album, the songs sound clear and individual, never repetitive. The only thing I would want from her would be some more relaxed and slower song. “Gavi’s Song” is fantastic, and I would love to hear more of this style. but it is only a minor complaint, the album and each track is honestly very good and totally deserves your time and money.

I am happy to see this album exceed my expectations. I thought it would be a set of familiar sounding songs that featured some mediocre singing here and there, but I was wrong. It is a variety in writing and collaborations make a wonderful album filled with enough energy to fuel your night drives, video game marathons or morning workouts. Check it out and love every moment of it.

ARTIST OF THE MONTH: AVI JACOB IS THE PERFECT MODEST MAN
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Summer’s over people. Get those lively synth tunes about not letting the night escape us out of my face. The season of hibernation is upon us, and to help us soundtrack the cyclical death of all leaves is Avi Jacob. Be appreciative.

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Jacob’s latest single, “Pickup Truck, is an Americana wet dream from beginning to end. You’ve got a sweet acoustic guitar being masterfully plucked throughout, pickup trucks, lyrics alluding to a father being disappointed in his son. These are the pillars of our great country, and Jacob builds a beautiful house of music with them as his supporting base. This is the environment Jacob is most comfortable with.

Just watch the video of him performing “Modest Man below. It’s just him wailing on his guitar in the woods as he sings his heart out. There probably isn’t another person around for miles. What’s truly great about the video is how authentically homemade it is. No hi-def camera showing close up shots of him from all different angles, no detailed cinematography of the surrounding elements either. It’s simply a camera on a tripod set up on the back porch filming Avi Jacob perform. That’s it.

The idea of a truly genuine artist feels somewhat out of place in 2016. Every persona, as well as every song, tends to get workshopped ad nauseum. The true persona is there at the core, but everything built around him or her are half-truths and hyperbole. It obviously makes for great entertainment, but it’s always bittersweet realizing that the person making such human and relatable art isn’t actually relatable (or even that human) in real life whatsoever. However, every line that Jacob powers out of his soul affirms that what’s being said is 100% him.

Because of this, Avi Jacob doesn’t have the wildest of web presences. He has a total of 79 tweets. His Facebook is only used to promote his performances. And from what it looks like, his website doesn’t even work. It’s doubtful that any of this bothers him though. Because it genuinely seems as though he is an actual rogue folk music folk tale who jumps from town to town by trading a song for a bed and some hot supper.

Maybe it’s all just a ruse and he’s secretly been a millionaire method actor researching for his next role this whole time. Inside Llewyn Davis desperately needs a sequel, so it would make sense. Other than that scenario, Avi Jacob is most likely the real deal that Folk music needs right now. His voice is passionate and his songs are beautifully heartbreaking. What you see is wholeheartedly what you get.

PAINTED PALMS: LONG DISTANCE DOES WORK
August 30, 2016 11:59 am

Painted Palms had an interesting start to their career. Reese Donohue and Christopher Prudhomme were two cousins growing up together on the same block in Louisiana. But it took Donohue moving to the west coast for the two to begin writing music together. They exchanged tunes online for several years while they both finished working on their degrees. These exchanges resulted in the debut EP Canopy. After the release of Canopy, Kevin Barnes from Of Montreal heard the tracks and invited the duo to be main support for Of Montreal’s tour in 2011. Thus began Painted Palms.

Their music consists of memorable melodies accompanied by balmy synth pop. It’s easy to feel the urge to get up and move when a Painted Palms track starts playing. Their debut EP was only a small taste of what was to come. In 2014, they released their debut album Forever. The album garnered an overall positive review from Pitchfork. The single “Carousel” is a great example of the psych synth pop sound that represents Painted Palms. Their follow up to Forever came two years later in 2015.

Horizons opens up with the single “Refractor.” The video for the song was debuted on Billboard. The video is an interesting combination of live-action and animation. This sophomore album had a large emphasis on the synth pop sound. The melodies continued to flow effortlessly from track to track. They toured that album with another fantastic electronic pop act, Small Black. The consistent aspect between all of Painted Palms releases thus far is their listenability. While their music fits much better soundtracking a summer drive than a cold winter night, if you put on any of their albums you’ll find yourself enjoying it from start to finish.

ROBBERIES: BAND THEFT AUTO
August 25, 2016 9:22 am

 

With the internet allowing music to be at our finger tips without having to pay for it, many bands tour around the country in packed vans as their only way to make real money. Touring is fun. Going to places you’ve never seen, playing your music to screaming fans every night seems like the dream right? Bands take all their gear, clothes, computers and money and lock it in their vans, thinking it’ll be safe while they go play a show for their fans. By end of the night they come outside and expect to get in their cars and go to the next city. This is when they realize that they’ve been robbed. Everything is gone, from passports and cash to computers and irreplaceable items. This is when touring can go from a dream to a nightmare.

Small independent bands seem to be the biggest target for these types of robberies. Most of these bands reluctantly set up Gofundme pages (an online website where people can donate to a cause) and make posts looking for their stolen gear asking others to keep an eye out for the gear in pawn shops or craigslist.

While fans rally around the bands and support them the best they can, unfortunately most of these cases go unsolved.

Despite all of the difficulties they’ve faced, the outpouring of support can give some bands an optimistic outlook on the situation, while others don’t have the same outlook. Hip-Hop artist Spose, who was robbed in St. Louis, vowed that he would never go back to the city after having his computer and musical equipment stolen. “I had a lot of worked saved to my computer, and some personal things, including pictures of my family,” the rapper said. He wrote on his Facebook page; “I’m done with St Louis, if you want to see me perform in the future come to Chicago or something because St Louis is dead to me.”

It’s hard to imagine having your livelihood stolen right out from underneath you WHILE you are either on your way to the job, or inside DOING the job. For some, it can be devastating, as they may never get back personal items, like a first guitar or computer full of demo tracks. If you see something, speak up, and ALWAYS do what you can to support artists who put their entire lives on the line  to bring music to you. The least you can do is buy some merch!

HOT PANDA: GOOD POP, BAD POP
August 24, 2016 12:06 am

 

Hot, inescapable energy comes charges through some early distortion and coy guitar strumming on “Other Spooky Is the leadoff track to Hot Panda’s 4th studio album, Bad Pop. But once Chris Connelly’s high pitched hollerings kick-in, everything just snowballs from there.

The song’s pace kicks into a completely frantic pace towards the halfway mark, and by that time, a spookier, modulated voice spelling out the title of the song is introduced. Even before this, the title made absolutely no sense. This idea really just doubled down on the nonsense.  As Bad Pop went on, it seemed as though doubling down on nonsense was, in many ways, all part of the Hot Panda charm. Choosing Hot Panda as a name in the first place evokes a sort of inherent silliness.

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There are certainly moments of normalcy to be appreciated on the record, though. Time-travelling Psych-Pop tunes like “Golden Arch are as straightforward and clean cut as they come. The sound is made for the Ed Sullivan show as teens bop their heads back and forth like a newton’s cradle made of skulls. And “On Your Own” provides easily the most tender moment Bad Pop has to offer.

It’s certainly more fun when they decide to embrace their weirdness, though. The perfect example of this being “Linda Ronstadt, a track built on the quirky concept of paying homage to the legendary singer. The quirk also gets a big boost from the charmingly chirpy backing vocals from bassist Catherine Hiltz, whose voice clashes with Connelly’s in a way that makes for a captivating listen.

In an Occam’s razor type of inevitability, however, the true standout here is of course “Bad Pop, the album’s titular track. Not only do their sugar rushed odd ballerey stand out, the lyrics are funny enough to cause some unexpected laughter on a crowded train. An act that still leads to stares from people, even though it should be completely normalized at this point. Regardless, it’s really great hearing Connelly’s maudlin self-awareness that this cheery sounding ditty could easily be used to sling sneakers in a year’s time. I think that’s a self-fulfilling prophecy? I don’t fucking know, I failed psych class.

As Hot Panda powered through their 10 song LP, they displayed a hodgepodge of different ideas. The heavy, fun Power-Pop somehow blends seamlessly with their more psychedelic and jammy moments. It’s all squeezed under their umbrella of strange in Totoro fashion, who wasn’t exactly a panda, but they can’t be too far separated in the animal kingdom.