If there is one thing Kaptan has done perfectly, it’s their genre declaration. The EP really shimmers all the way through. While it is certainly not dull, it also doesn’t really shine.
That’s not necessarily a bad thing though. Kaptan is at its best when it’s shimmery sound lands somewhere in between. Take the first track, “Way Out.” It starts with a bouncy guitar riff and tacky percussion. Enter the bright synths. What could lead into an overdone, The 1975-esque (you can see how I feel about their new stuff here…) verse, instead offers a pleasant male-female vocal duo. This keeps the song from getting overblown—the energy of the band keeps us bouncing forward, while the vocals let us lay back in the grass on a sunny day.
This juxtaposition is best exemplified on the third song, “Everything.” Again, the energy and brightness of the synths and the guitars keep the song going in a positive direction. When Gaos comes in to the chorus singing calmly “Everything is all right,” you believe him. How could everything not be all right when this music is so pleasant and he is obviously sure that that it will be?
Unfortunately, two of the other three songs sound pretty much just like those two I mentioned, except they are not as successful. For Kaptan’s formula to work, each ingredient needs to be perfectly measured. “Anywhere We Go” comes in a bit over-spiced, and “Let Go” a bit bland. The EP ends on an outlier, “Closer Now.” The first time I heard it I assumed Spotify had started playing a remix of one of their songs. The half-time electro R&B jam feels like it’s out of Kaptan’s wheelhouse. Like trying to use the ingredients of one recipe to make a completely different dish.
Sprinter by Kaptan shows some serious promise. Gaos certainly has an ear for catchy pop melodies. The trick will be figuring out how to make Kaptan’s songs stand apart without getting repetitive.