two door cinema club

AGE OF YOUNG EMPIRES
October 5, 2016 2:33 pm

Upcoming band alert!  Winston Churchill once said, “The empires of the future are the empires of the mind.” If this is the case then Canadian band Young Empires is on their way to taking over the world. While I’m honestly not a huge fan of electronic music, Young Empires mixes indie rock and electro in a way that is not overbearing and just feels damn good.

The trio from Toronto that formed in 2009 is made up of Matthew Vlahovich, Jacob Palahnuk, and Taylor Hill.  The band experienced major hype after their debut EP, Wake All My Youth, was released in 2012 and high demand for tours took over before they were able to spend a solid amount of time working on their first full-length album, The Gates, which was released last fall.

As empires go, they have been gaining ground internationally and conquering media outlets left and right.  NME compared them to The Killers, Arcade Fire, Yeasayer, and Foals. Quite the compliment from a magazine who gives out “Worst Band” awards.

To me they sound like a blend between Cut Copy and Two Door Cinema Club.  It’s energetically electronic while still being ear-otically pleasing.  You can and may very well want to dance to it, but hey, you can chillax to it too. And it is this very precise balance on which they are building their empire. Their lyrics are quite the balancing act as well. Gospel-like lyrics contain omens of both despair and hope.  For example, their song “The Gates” sings, “No I won’t lose hope, no I won’t lose sight, but heaven is a place I just can’t find” and features a music video that includes haunting scenes of religion displaced with images of humanity, beauty, and destruction. The video recently was names one of Vimeo‘s staff picks and you can watch it here.

TWO DOOR CINEMA CLUB IS THE SHAMROCK MUSIC KING
September 29, 2016 5:27 pm

Two Door Cinema Club are an Irish indie rock trio that seemingly just want to dance. Alex Trimble, Sam Halliday, and Kevin Baird make music that instantly plug ear-worms to your cerebellum with instant infection. Their music videos are also as infectious, showcasing the band’s quirky, yet honest, sense of humor. Forming in 2007, while the lads were still in school, they have since released two full-length albums, with one on the way in October, and a handful of EP’s. They have gained a substantial following in their home country of Ireland, and are doing the same in the US with incessant touring and festival appearances.

Prior to forming Two Door Cinema Club, the trio performed as a band in their teenage years dubbed “Life Without Rory”. The band, released 3 demos,  finished dead last in local competitions, and decided to move on to greener pastures. The trio came back together to form another band without a full-time drummer and settled on the name Two Door Cinema Club after Sam Halliday’s mispronunciation of the local movie theater the Tudor Cinema.

Two Door Cinema Club released an EP in 2009 titled Four Words to Stand On that gained a little interest. Their first full-length record, Tourist History, was released in 2010 with the band finding their niche. Tourist History went on to be selected for the Choice Music Prize for Irish Album of the Year. Follow-up album Beacon was released 3 years later to similar reaction pushing the band to release a four-part tour documentary entitled What We See. An EP, Changing of the Seasons, came in 2013 coupled with a jump to Parlophone Records in 2015. Their third proper album, Gameshowand first for Parlophone, is slated for release in October, 2016.

Two Door Cinema Club will be featured at the Austin City Limits Festival on October 1st, and will continue touring North America through November 2016.

KITSUNE: JAPANESE FOX AMBITION
February 18, 2016 6:15 pm

2002 was the year that the French indie-electronic music label Kitsune was born, created by Gildas Loaec and Masaya Kuroki during a trip to Japan. Loaec and Kuroki (who previously worked with Daft Punk and the record label Roule) conceptualized the idea of the label while visiting, wanting to combine their love for both fashion and music into one company.

Once they had the idea, they needed a name. Kitsune originates from the Japanese word meaning fox. This is more than just a word they thought sounded interesting. In Japan, the fox is said to have the power to change its appearance and its face; the many faces and appearances of the fox represent the different parts and directions of Kitsune.

By now, you’ve definitely heard of some of Kitsune’s artists. Two Door Cinema Club, La Roux, MS MR, and Citizens! are just a few of the many talented artists that Kitsune has taken on. Along with this, they have 11 boutiques in Paris, Hong Kong, Tokyo and NYC. Talk about ambition! Loaec was once just a teenager with a love for indie rock bands like The Smiths on UK radio and now he and Kuroki have created something beyond their wildest dreams.

You can check them out here http://www.kitsune.fr/journal/category/listen/ and for all fashionistas click here for Kitsune’s latest fashion trends.

FESTIVAL HEADLINERS: WHERE ARE THE WOMEN?
February 11, 2016 11:57 am

Since festivals became a thing, there has been a lack of female presence. Recently, I read an article pointing out that there is a major lack in female headliners at a vast majority of festivals. I looked into a few line ups over the years because I’m generally not a huge festival goer…and it’s true. Most if not all of the female headliners are found somewhere in the middle to bottom of the line up list for most major festivals. You know, the fine print. What gives?

Coachella is the president of this club. They have had the same female artist headline two different years and that was the extent of their feminine influence. It’s a tough time to be a musically talented female. It’s harder to get people to take you seriously as an artist when they gawk at you for getting up on stage and having something to say. Music has seemingly always been a male dominated business and this trend proves that it is not the easiest to overcome.

There have always been a plethora of talented stars that are waiting to show their stuff in the limelight of festivals, people like Tegan and Sara, Florence and the Machine, Sia and Lana Del Ray to name a few.  If we want to talk reunion headliners, a Coachella favorite, lets get Alanis Morisette or Fiona Apple up there again. Last year Drake headlined one of the days… you’re telling me Rihanna or MIA couldn’t have drawn as much as he did? Come on.

latitude-festival

This massive hierarchy of the music industry is loud and clear. Women are not given the slot or the credit they deserve and it seems that the ones who are only afforded it because the music industry doesn’t want a push back for being unfair. I think it’s time for things like that to change. It is time for me as a female artist to be able to stand up and genuinely believe that someday I could headline a festival if I have the talent and put all the work into it. Much like any paying job, women are under appreciated and it seems, no matter how high they soar, there is always that glass ceiling.

“If Lily Allen hadn’t stepped up at the last minute to fill in for Two Door Cinema Club’s Friday night headline slot at Latitude in July, there would have been no woman headlining a major music festival this summer.

In fact, without Paramore, the American punk rock band fronted by the flame-haired Haley Williams and Arcade Fire, which featured two women in its Glastonbury line-up, there would be no women gracing major festivals’ main stages in the top slot at all.”

as stated by Alice Vincent in The Telegraph. How sad is that? If Two Door Cinema Club wouldn’t have backed out there would have been no female headliner. This has personally happened to me in Darling and at first I was very excited about the spot until I really thought about he fact that it is not exciting to be a replacement for our male counterpart and only when they’re unable to make it. Then next year, they’re still going to get the call to headline even if they were unreliable and that just sucks.

Any female who has ever tried to thrive in a male dominated environment knows that we have to work twice as hard to make it halfway. It’s, ‘Oh she’s pretty watch her’ but the follow through is never present. We want to change this, what do you think Beasts?