THE GLORY OF GOOD MORNING

Melbourne band Good Morning has returned to Australia after 11 performances at their first CMJ and positive reviews from publications including Spin and NME. ATYPICAL SOUNDS had the pleasure of welcoming them to New York during that time, and you can read our interview with them here.

Now, the band is settling back in at home, and getting ready to release their Glory EP in February 2016. We were given a sneak preview of the album, and will do our best to convey its sound to you. It’ll be like you’re right here with us.

The album opens with “Overslept”, a lo-fi track that makes you feel like a pack of crayons on a hot radiator. Singer Stefan Blair certainly sounds sleepy in his delivery of the lyrics, “I overslept today/ What in the world/ What in the world/ What in the world should I say?” It’s the type of song that makes you want to stay in bed a little while longer while listening.

The EP gives the impression of following Blair and bandmate Liam Parsons through a lazy day during a hot, Australian summer. The timing of the release will be great for the band’s fans at home, since February falls during summertime in the southern hemisphere. For the rest of their fans, who will inevitably be freezing their asses off during this time, the album sounds like a chilled-out vacation in a much warmer climate.

“Cab Deg” is the band’s first single to be released from the EP. It’s the most “indie” album on the track, featuring extended vocal harmonies and a poppier sound. However, Blair and Parsons quickly bring the listener back down to reality during “To Be Won”. Played predominantly on acoustic guitar, it can be a challenge to decipher Blair’s softly-sung vocals, leaving the track up to interpretation over whether the song is sad or tastefully subdued. Either way it’s beautiful, making “To Be Won” the second single due to be released from the EP.

Between the first 3 and last 3 songs, the sound changes, like the guys have had some coffee. Overall, there’s less distortion and these tracks sound cleaner and more produced than the previous ones; “Give Me Something To Do” features some fancy saxophone but maintains the vocal harmonies of “Cab Deg”. However, the track goes in a new direction with spoken lyrics towards the end of the song that sound like they could be the slightest bit influenced by Lou Reed’s Street Hassle.

“The Great Start”, the penultimate track, carries through the psychedelic feel of the EP, but adds an airier, more atmospheric sound that blends well with Blair’s sleepy vocal style. By the time “In The Way” begins to play, I can’t imagine the listener is anything but blissed out, and this track prolongs that feeling all the way to the end of the EP. “I’m so sorry/ I get caught up…” is repeated through the track, but it’s never quite clear what Blair and Parsons are apologizing for. It doesn’t matter; it’s another beautiful song on the EP. Finally, it dissolves into a swirling puddle of sound before picking up and giving us one more “I’m so sorry…” and gently letting us go.